Contemporary Philippine Art From

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CONTEMPORARY PHILIPPINE ART from Regions  August 29, 2014 Contemporary Art: -art produced at the present period in time. Contemporary art includes, and develops from, Postmodern art, Contemporary art, hich is itself a successor to Modern art. art. !n vernacular "nglish, #modern$ and #contemporary$ are synonyms, resulting in some conflation of the terms #modern art$ and #contemporary art$ %y non-specialist non-specialists. s. Contemporary art forms are the folloing: 1. Choreography 2. M!si"al instr!ment &. Literary and m!si" "omposition 4. #is!al design '. Theatri"al performan"e Contemporary dan"e: -is a pop!lar form of dan"e hi"h de$eloped d!ring the -is middle portion of the tentieth "ent!ry and has sin"e gron to %e"ome one of the dominating performan"e genres for formally trained dan"ers thro!gho!t the orld& -ith parti"!larly strong pop!larity in the '()( and estern -ith  estern E!rope( Altho!gh Altho!gh originally informed %y and %orroing from "lassi"al& modern& and *a++ styles& it has sin"e "ome to in"orporate elements from many styles of dan"e( -%!t d!e to its pop!larity amongst trained dan"ers and some o$erlap in mo$ement type& it is often per"ei$ed as %eing "losely related to modern dan"e& %allet and other "lassi"al "on"ert dan"e styles( M')IC& ,ANCE - THEATER M')IC O. .ILIPINO: Cordillera-  (he flat gong commonly )non as gangsaand played %y the groups in the Cordillera region of the %ossed gongs played among the !slam and animist groups in the *outhern +hilippines. • /( 0alaleng or Tongalinose flute ecause the )alaleng is long and has a narro internal diameter, it is possi%le to play different harmonics through over%loing/even ith the rather ea) airflo from one nostril. • • o o 1( Tongatongis a %am%oo percussion instrument used %y the people of alinga to communicate ith spirits during house %lessings. !t is made of %am%oo cut in various lengths. hen you hit it against soft earth a certain drone rever%erates though the instruments open mouth. hen an entire set of (ongatong is played in interloping rhythm and prolonged ith the tri%al chanting, it could put the audience and the dancers in a trance 2( ,idi3asis ' or more different si3e of slender %am%oo that is tied together. o  4( )aggeypoit is a %am%oo pipe that is closed on one end %y a node ith the open end held against the loer lip of the player as he %los directly across the top. (he pipe can %e played individually %y one person or in ensem%les of three or more. . *oli%ao is hallo ooden !gorot drug topped ith pig s)in or li3ard s)in this is played %y stri)ing the drum head using the palm of the hand. 5. ung)a)a- %am%oo %u33er.  6. ullitong- polychordal %am%oo tu%e 3ither.  9. 7li%a- %am%oo 8as harp   o *outhern !slands 0!lintangrefers to a rac)ed gong "himeinstrument played in the southern islands of  the +hilippines, along ith its varied accompanying ensem%les. ensem%les. :ifferent groups have different ays of playing the kulintang . (o ma8or groups seem to stand-out in kulintang music. (hese are the ;aguindanaon and the ;arana. (he )ulintang instrument itself could %e traced to either the introduction of gongs to *outheast Asia from China from %efore the 10th century C", or more li)ely, to the introduction of %ossed gong chimes from ama, osal, )yl$ia La Torreand R!%enTagalog. Rondalla:        The Rondallais performed on ensem%les "omprisingmandolin instr!ments of $ario!s si+es "alled %and!ria "omposed on the I%erian tradition( Other instr!ments in"l!ding g!itars& is also performed( It is original to )pain( Tini5ling: (he Tini5lingis a +hilippine dance hich involves to individual performers hitting %am%oopoles, using them to %eat, tap, and slide on the ground, in co-ordination ith one or more dancers ho steps over and in %eteen poles Cari6osa: The Cari6osa7meaning lo$ing or affe"tionate one8& is a Philippine national dan"e from the Mar9a Clara s!ite of Philippine fol5 dan"es& here the fan& and hand5er"hief plays an instr!ment role as it pla"es the "o!ple in roman"e s"enario( @+; @riginal +ilipino ;usic  Original Pilipino M!si", no more commonly termed Original PinoyM!si", Original Philippine M!si" or OPM for short, originally referred only to +hilippine pop songs, particularly %allads, such as those popular after the collapse of its predecessor,the Manila )o!nd in the late 1950s, up until the present. !n the 1950s, popular @+; artists included Nora A!nor , Pilita Corrales, Eddie Per  egrina, #i"tor ood and Asin, among others.(he more ma8or commercial Philippine pop music artists ere Pops .ernande+, Claire dela .!ente, ,idith Reyes, Ri "o P!no, Ryan Caya%ya%, ;asil #alde+, CelesteLegaspi, Ha**i Ale*andro, Rey #alera, .reddie Ag!ilar , ImeldaPapin, "va "ugenio, Nonoy os? Mari Chan, ,ingdong A$an+ado, Rodel  Na$al, >ann o @i%%s, OgieAl"asid, >oey Al%ert, Lilet, Martin Nie$era, Manilyn Reynes, L ea )alonga, #ina Morales, Raymond La!"heng" o, >oAnneLoren+ana, .ran"is Magalona and @a ry #alen"iano, among manyothers.!n the 1990s, famous artists%ands included Eraserheads, )mo5ey Mo!ntain, ,onna Cr!+, >essaaya,Lani Misal!"ha, Ri$ermaya, Ella May )aison and Roselle Na$a, among many others.