THE RENAISSANCE AND BAROQUE TOWN PLANNING
THE BAROQUE TOWN PLANNING •
The Baroque town planning was prevalent in the 17th century A.D.
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The Baroque city plan appeared simultaneously with the emergence of strong states.
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The strength & importance of the state dictates the need for walls of military gracis around baroque cities to protect them from strong enemies.
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These cities had various spaces preallocated for different purposes.
ZONING •
!trict "oning
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#and use is divided into several functions.
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$ublic versus private and residential versus industrial are common trends in spatial layout.
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The purpose of a baroque layout is to display the city%s power and strength resulting in the construction of monuments.
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Designed to put people in their place utili"ing hierarchy of space and separation of the classes.
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The center usually public and commercial is the largest and most important section.
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A radial street networ' e(tends from the center and as a section of the city%s distance from the focus increases its importance decreases.
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The government district is usually in the center square attached to it) elite neighborhoods spring up along the wide avenues while the poorest residential sections are forced to the edge of the city.
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*reen space and open space are found throughout the city and each section is built around its own square.
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!quares & par's also display a hierarchy of space+ as sections are pushed farther from the center the si"e of public space decreases.
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The physical ,rban $lanning of -enice remains very similar to the layout it acquired in the mperial Age.
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The city sprouted with Doge !ebastiano /iani creating public space in the $ia""a !an 0arco.
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t is from this focal point that the city began to radiate. n a winding fashion2 in a Baroque city model.
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-enice can be compared to a Baroque city model as long as the scale is 'ept in perspective.
PLANNING •
#and separation is present in the layout 3 the Arsenale home of the ship building that was once -enice%s primary industry is located on the farthest edge of the island away from the administrative and residential districts.
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The "oning becomes fu""y as the city converts many areas to tourist functions. •
The focus of the Baroque city can be found in the role of !an 0arco and its $ia""a which housed the administrative functions Doge%s $alace2 of the Baroque era and buildings.
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Although this focus was not in the e(act center of the city but not on the southern edge hierarchy of space still revolved
around it. •
#ined with pala""os the main thoroughfare was only home to the elite.
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A relatively small clearing the $ia""a !an 0arco dominates less than 1444 sq. m. of -enice%s surface.
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#aid out in Doge !evastiano /iani%s 15th century urban renewal plan the $ia""a has always been the active focus of the city.
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The square has bustled with merchants and natives since its creation.
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ts accessible location on the 6anal *rande and the waterfront made it a strategic site for administrative and trade transactions.
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*randiose buildings and monuments define the boundaries of the $ia""a.
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Destined to be the social administrative religious and commercial hub from the time of its construction the square boasts the headquarters of these -enetian institututions.
T8 !8!T89 •
The historic 6enter of -enice is divided into si( sesteri or districts three of each side of the 6anal *rande + Dorsoduro !anta 6roce !an $olo on the 8ast Ban' and 6annaregio 6astello and !an 0arco on the :est.
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These districts fulfill mainly residential and co mmercial functions.
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0ost of the residential districts are found in the 8astern !ection of -enice.
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:ealthy and poor "ones are scattered throughout these neighborhoods.
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8ach district has its own campi or square which serves as the local center of each sesteri.
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!an 0arco itself is the focal point of the city and therefore the most crowded & successful.