Una Cabeza For Brass Quintet

Transcript

Por Una Cabeza Tango for brass quintet Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102                              1st Trumpet in Bb       mp mf                              2nd Trumpet in Bb         mp mf                Horn in F         mf p                    Trombone     mf p             Tuba       mf p                  Copyright © 2008 Geoff Colmer ([email protected]) 6                                     Tpt. 1     Tpt. 2 Hn. Tbn. Tba.                                                                                                                                  12                                Tpt. 1            2 Tpt. 2 Hn. Tbn. Tba. mf                                                   mf p                                                   p      p    p  p                               A Dramático y con la pasión                  Tpt. 1            3              3       19 Tpt. 2 Hn. Tbn. Tba.                  f       f 3 f 3  f Hn. Tbn. Tba.  3 3                   3                                      3    3                   3 3 3                      3 3                         f (sub.)     3       26          Tpt. 1  Tpt. 2 3                       3             3            3 3 3        3 3      3                                             f      3    33 Tpt. 1  B                             muted (harmon)               mp 3 3                      Hn.       p 3 3 3                                       Tbn.   mp                 Tba.                  p     Tpt. 2     Tpt. 1     39 Tpt. 2 Hn. Tbn. Tba.  Tbn. Tba.           p                                                      3 3 3 3 3                                        44 Hn. p             Tpt. 1    Tpt. 2 muted (straight)                         3                                mp   3                       3 3                                          3         3        3               4   Tpt. 1   Tpt. 2        48                              p 3                    3 3 Hn. Tbn. Tba.      mp            Tpt. 1    54 p         3                      3 Hn. Tba.                               Hn. Tbn. Tba.       3 3                            3 3                           f 3 f 3 3 f 3      f                   f (sub.) 3 3        3      3      3     3                       f          3 3                                   3              3                        C                3         open             61   Tpt. 1  Tpt. 2 3 3 3 Tbn.           3 Tpt. 2           p mp   open D                   mf              3 3 mf                                          3         5              Tpt. 1           Tpt. 2           68 Hn. Tbn. Tba.                                                          mf 3 3 3 3 3 mf 3 3 3 3 3                                                    mf     Tpt. 1   73                                                                             Tpt. 2  Hn.                                                                     Tbn. Tba.      3 3 3 3 78 Tbn. Tba. 3         f        f 3 Hn.             Tpt. 1  Tpt. 2    3      3 3        3                  3        3                        3 3                                                      3  f             3                       f     f 3 3           3      3      6 E   Tpt. 1     83 Tpt. 2 Hn. Tbn.        3       3 ff             ff     3 ff                   3          3                        3                                                  3            3         3             3 3 Tpt. 2       gl        3        3           3      g liss .     s. glis 3                                  3 p 3 3             tímido 3         . iss           3 De teatro  Tba. 3  3  95    Tpt. 1  Tbn. 3  3   Tbn.                   Tba.                    Hn.                                                   ff    90          Tpt. 1        Tpt. 2    Hn. 3 3 ff Tba.                  gli ss.    3     p     3 reducción      p   3                        p     p                      1st Trumpet in Bb Por Una Cabeza Tango for brass quintet Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102                                               mp mf                 7                                                                     11 mf             18 p A Dramatic and with passion               3 f 3                    3        B                     p 51   3           mp 3  p 46            3  (straight)   muted       39 3        26 34               open       p 3  Copyright © 2008 Geoff Colmer ([email protected]) 2 1st Trumpet in Bb C                52 f 3 3          3        60                        3         3     3      D                              66 mf                 71                                   75             82 E          3 ff  3    97     timidly  p  f                              90                   3             3               3 molto rall.          3  2nd Trumpet in Bb Por Una Cabeza Tango for brass quintet Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102                     mf                      4    mp                                            8                                           12 mf       19 A       27 3 3                       Dramático y con la pasión 3 f 3 3               3 3         muted (harmon)                                            mp 34        p B 3 3 3             41                                              44 49    mp           Copyright © 2008 Geoff Colmer ([email protected])  open  2 2nd Trumpet in Bb C         52 3 f        3        59 3 3                        3         3 3 3                                                     66 3 D mf                                   73                              78 f       83 E          3 3 ff 91 97                              3  3          p 3        3 tímido  3 3                  reducción       Horn in F Por Una Cabeza Tango for brass quintet Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102                    mf            7      p                                                                   p 12     19 A          3 f 27 34       Dramático y con la pasión B          3           3                        3 3            3                            p 3 3 3 3                                40 3 3 3 3 3 3                                   43 3 3        49 p 3 3          3     Copyright © 2008 Geoff Colmer ([email protected])     2 Horn in F 52                  C 3 f 66    3             59          3 D    3 3                   3           3                      mf 3 3 3 71                              3 3 3 3 75 3                              3 79 3 3 3 3 3                              f 83     3 E                   3 3 ff                    90 3 97     3  tímido  p 3                        3 reducción       3      Trombone Por Una Cabeza Tango for brass quintet Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102                          mf 7             p                          12                                 p 19      A Dramático y con la pasión  f 28                  3       3       3       3 3             B                                    34    mp                                39 43                        49                    mp Copyright © 2008 Geoff Colmer ([email protected])                2 Trombone 52 C 3          f 60   3                            3        3 3             3 66 D                                 mf 3 3 3 71                                        3 3 3 3 75 3                                        3 3 3 79                                          3 f 3 83        E      3 3  3 3    De teatro 93    gli ss.   97               3     3    3   tímido  p glis s .                 ss. gli       3 3 ff 88             glis s. 3 reducción      gliss.        Tuba Por Una Cabeza Tango for brass quintet Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102             mf      p      7                       12       19 A            p           Dramático y con la pasión                                                        f (sub.)  27                                                f       34  B                                                p Copyright © 2008 Geoff Colmer ([email protected]) 43                                    2 Tuba 49 C                                          p     f (sub.) 56                                          f    62  67        D                   mf                                             73                                               f 83  88  E       ff                                                                                95  tímido reducción                                  p 