Universal Pictures And Emmett / Furla Films Present

Transcript

UNIVERSAL PICTURES and EMMETT / FURLA FILMS Present A MARC PLATT Production In Association with OASIS VENTURES ENTERTAINMENT LTD / ENVISION ENTERTAINMENT / HERRICK ENTERTAINMENT / BOOM! STUDIOS A BALTASAR KORMÁKUR Film PAULA PATTON BILL PAXTON JAMES MARSDEN FRED WARD and EDWARD JAMES OLMOS Executive Producers BRANDT ANDERSEN JEFFREY STOTT MOTAZ M. NABULSI JOSHUA SKURLA MARK DAMON Produced by MARC PLATT RANDALL EMMETT NORTON HERRICK ADAM SIEGEL GEORGE FURLA ROSS RICHIE ANDREW COSBY Based on the BOOM! Studios Graphic Novels by STEVEN GRANT Screenplay by BLAKE MASTERS Directed by BALTASAR KORMÁKUR –1– CAST Waitress Margie . . . . . . . . . . . . . . . . . . . . .LINDSEY GORT Roughneck #2 . . . . . . . . . . . . . . . . .HILLEL M. SHARMAN Robert “Bobby” Trench . . . . . . . . DENZEL WASHINGTON Roughneck #3 . . . . . . . . . . . . . . . . . . . . . . . .AARON ZELL Michael “Stig” Stigman. . . . . . . . . . . . . MARK WAHLBERG Roughneck #4 . . . . . . . . . . . . . . . . . . . . . . . HENRY PENZI Deb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PAULA PATTON CREW Earl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILL PAXTON Admiral Tuwey . . . . . . . . . . . . . . . . . . . . . . FRED J. WARD Quince . . . . . . . . . . . . . . . . . . . . . . . . . JAMES MARSDEN Directed by . . . . . . . . . . . . . . . . . . BALTASAR KORMÁKUR Papi Greco . . . . . . . . . . . . . . . . EDWARD JAMES OLMOS Screenplay by. . . . . . . . . . . . . . . . . . . . . BLAKE MASTERS Jessup . . . . . . . . . . . . . . . . . . . . . ROBERT JOHN BURKE Based on the BOOM! Studios Graphic Novels by. . . . . . . . Chief Lucas . . . . . . . . . . . . . . . . . . . . . . . GREG SPROLES STEVEN GRANT Dr. Ken . . . . . . . . . . . . . . . . . . . . . . . . PATRICK FISCHLER Produced by . . . . . . . . . . . . . . . . . . . . . . . . . MARC PLATT Ferret Nose Julio . . . . . . . . . . . . . . . DEREK SOLORSANO RANDALL EMMETT Papi’s Men . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NORTON HERRICK Rudy . . . . . . . . . . . . . . . . . . . . . . . . . .EDGAR ARREOLA ADAM SIEGEL Teemo . . . . . . . . . . . . . . . . KYLE RUSSELL CLEMENTS GEORGE FURLA Thick . . . . . . . . . . . . . . . . . . . . . . . . . . MATTHEW COOK ROSS RICHIE Lean . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY BELL ANDREW COSBY Mini . . . . . . . . . . . . . . . . . . . . . . . . . . TAIT G. FLETCHER Executive Producers . . . . . . . . . . . . BRANDT ANDERSEN Roughneck . . . . . . . . . . . . . . . . . . . . JESUS PAYAN, JR. MOTAZ M. NABULSI Waitress Maggie. . . . . . . . . . . . . . . . . . .AZURE PARSONS JOSHUA SKURLA Officer Dave . . . . . . . . . . . . . . . . . . . . JOHN MC CONNELL MARK DAMON Officer Phil . . . . . . . . . . . . . . . . . . . . . . . JACK A. LANDRY Director of Photography . . . . . . . . . . . . . . . OLIVER WOOD Chief of Police . . . . . . . . . . . . . . RITCHIE MONTGOMERY Production Designer. . . . . . . . . . . . . . . . . . . BETH MICKLE Ms. Young. . . . . . . . . . . . . . . . . . . . . . . AMBYR CHILDERS Edited by . . . . . . . . . . . . . . . . . . MICHAEL TRONICK, ACE Bank Manager . . . . . . . . . . . . . . . . . ROBERT LARRIVIERE Music by . . . . . . . . . . . . . . . . . . . . . . . CLINTON SHORTER Scared Woman . . . . . . . . . . . . . . . . . . . . . . . .LUCY FAUST Costume Designer . . . . . . . . . . . LAURA JEAN SHANNON Bank Guard . . . . . . . . . . . . . . . . . . . . . GEORGE WILSON Stunt Coordinator. . . . . . . . . . . . . . . . DARRIN PRESCOTT Lead Agent (FBI Man). . . . . . . . . . . . . . YOHANCE MYLES 2nd Unit Stunt Coordinator . . . . . . . . . . . . . . WADE ALLEN Patsy (Dr. Ken’s Assistant) . . . . EVIE LOUISE THOMPSON “Bobby” Stunt Doubles . . . .CLAY DONAHUE FONTENOT Javier (Papi’s Son) . . . . . . . . . . . SAMUEL BACA-GARCIA JAY “JALIL” LYNCH Hard Case Border Patrol . . . . . . . . . . MICHAEL BEASLEY ROBERT POWELL Border Guard . . . . . . . . . . . . . . CHRISTOPHER DEMPSEY “Stig” Stunt Double . . . . . . . . . . . . . . . . . SEAN GRAHAM Uniformed Border Agent . . . . . . . . . . BILL STINCHCOMB “Deb” Stunt Doubles . . . . . . . . . . . . . . . . . KARA KIMMER Navy Firefighter . . . . . . . . . . . . . . . . . . . . . . .MARK ADAM KEISHA “KAY” SMITH Lead MP (Shore Patrol) . . . . . . . . . . . . . . . . DAVID KENCY “Papi” Stunt Doubles . . . . . . . . EDWARD J. FERNANDEZ Skinny Immigrant . . . . . . . . . . . . . . . . GILBERT ROSALES ERIC SALAS Doorman. . . . . . . . . . . . . . . . . . . . . . . . . . . . PETER GABB “Earl” Stunt Double . . . . . . . . . . . . . . . GREG REMENTER Tommy Boy. . . . . . . . . . . . . . . . . . . . JASON KIRKPATRICK “Quince” Stunt Double . . . . . . . . . . . . . TODD SCHNEIDER Slim Jay . . . . . . . . . . . . . . . . . . . . . . . . . .TONY SANFORD Stunt Drivers. . . . . . . . . . . . . . . . . . . . STANTON BARRETT Tim Corrales . . . . . . . . . . . . . . . . TIM “LUCKY” JOHNSON MATTHEW THOMAS MOSS Gina Corrales . . . . . . . . . . . . . . . . . . . . . . LINDSEY SMITH RANDALL REITENBACH –2– Stunt Riggers . . . . . . . . . . . . . . . . . . . . . CHRIS FLETCHER Additional Editor . . . . . . . . . . . . . . . . . . . . AARON BROCK LEX GEDDINGS Visual Effects Editor . . . . . . . . . . . . . . . . . JILL PIWOWAR BEN JENSEN Apprentice Editors . . . . . . . . . . . . . . . . . . BRYAN TORRES JOHN ZIMMERMAN JOE ZAPPIA Stunts . . . . . . . . . . . . . . . . . . . . . . . REGIS HARRINGTON Visual Effects Coordinator . . . . . . . . . . . . . ERIC KIMELTON CHRIS ANTHONY PALERMO Sound Mixer . . . . . . . . . . . . . . . . . . . . . . WILLIE BURTON MONTY SIMONS Boom Operator . . . . . . . . . . . . . . . . . . . . . . GARY THEARD Additional Voices Provided by . . . . . . . THE LOOP SQUAD Sound Utility . . . . . . . . . . . . . . . . . . RENE DeFRANCESCH MARCO AGUILERA Production Supervisor . . . . . . . . . . . . . . RANKIN HICKMAN DAVID BERON Second 2nd Assistant Director . . . . . . . GREGORY S. CARR PATTY CONNOLLY Production Coordinator . . . . . . . . . . . . . . JESSICA LUEBE VICKI DAVIS Assistant Production Office Coordinator . . . . . . . . . . . . . . GREG FINLEY KIRK W. JOHNSON MIKE GOMEZ Travel Coordinator . . . . . . . . . . . . . . . LEIGHA K. LINDSAY DAVID MICHIE Production Secretaries . . . . . . . . . . . . . SAM CESEPEDES RICHARD MIRO DEUCE HEDRICK JONATHAN NICHOLS Production Accountant . . . . . . . . . . . . . . GAIL SHERIDAN DENNIS SINGLETARY 1st Assistant Accountant . . . . . . . . . . PAMELA ELLINGTON DENNIS SHARP Additional 1st Assistant Accountant . . ALISON HARSTEDT MARK SUSSMAN Assistant Accountant . . . . . . . . . . . CABERNET MURRAY LINDA SYPIAN 2nd Assistant Accountants . . . . . . . TAMARA HENDERSON RUTH ZALDUONDO LEAH RICHARD Art Director . . . . . . . . . . . . . . . . . . . . . . KEVIN HARDISON BARBARA TURNER Assistant Art Director . . . . . . . . . . . . . . . . . . . . BILL KING Payroll Accountant . . . . . . . . . . . . . . . . . . JIM SWIDARSKI Set Decorator . . . . . . . . . . . . . . . . . . . LEONARD SPEARS Payroll Assistant . . . . . . . . . . . . . . . . . MICHELLE REEVES A Camera Operator/Steadicam . . . . . . . . . . . . JOE CHESS Postproduction Accountant . . . . . JERROLD W. LAMBERT 1st Assistant A Camera . . . . . . . . . . MARICELLA RAMIREZ Supervising Location Manager . . . . . . BATOU CHANDLER 2nd Assistant A Camera . . . . . . . . . . . BLAKE ALCANTARA Assistant Location Managers . . . . . . . . . EVAN EASTHAM B Camera Operator . . . . . . . . . . . . . . . . . . . . ADAM WARD THOMAS PETERS 1st Assistant B Camera . . . . . . . . . . . . . . . ROBERT BAIRD Additional Assistant Location Manager . . . . . . WES ROSSI 2nd Assistant B Camera . . . . . . . . . . . PENELOPE HELMER Location Coordinator . . . . . . . . . . . . . . . . . MARK WELCH Camera Loader . . . . . . . . . . . . . . . . . . . . . . BILY SALAZAR Location Assistant . . . . . . . . . . . . . . . . . . . RUTH CAFFERY Still Photographer . . . . . . . . . . . . . . . . . . . . PATTI PERRET Location Production Assistant . . . . . . . . . BRIAN NELSON Additional Camera Operators . . . . . . . GREGORY MORRIS Location Scout . . . . . . . . . . . . . . . . . . JIMMY TROTTER IV MICHAEL J. WALKER, soc Script Supervisor . . . . . . . . . . . . . . . . . . . . SAM SULLIVAN Additional 1st Assistant Camera . . . . . . TROY ANDERSON Costume Supervisor . . . . . . . . . . MEAGAN McLAUGHLIN WADE WHITLEY Assistant Costume Designers . . . . . . . TABITHA JOHNSON Additional 2nd Assistant Camera . . . . . . . . EMILY CARTER ANDREA SWEET DAVID “CUPCAKE” EDWARDS Key Costumer . . . . . . . . . . . . . . . . ALLISON BAUSERMAN BRYCE MARSHALL Mr. Washington’s Costumer . . . . . . . . . . . . . FRANK ROSE TONI WEICK Mr. Wahlberg’s Costumer . . . . . . LORRAINE CROSSMAN Postproduction Producer . . . . . . . . . . JANACE TASHJIAN Set Costumers . . . . . . . . . . . . ASHLIE PHILASTRE MEERS –3– AMANDA STEELEY JOHN DAVI Additional Costumers . . . . . . . . . . . . . . . . FRANK AVANZO CYR V. EUGENE LAUREN BOTT TROY FELDER MISTI MOREAUX GREG HARRIS Costume Coordinator . . . . . . . . . . . . . . . . KELLY HERDUS ANDREW C. HAWTHORNE Head Seamstress . . . . . . . . . . . . . . . . . . . AURORA KNOX TOBARIA HUGHES Seamstress/Tailor . . . . . . . . LAURA FAYE SIRKIN-BROWN ERROLL B. JACKSON Head Ager/Dyer . . . . . . . . . . . . . . . . . . . SHARON FAUVEL DANIEL LeBLANC Ager/Dyer . . . . . . . . . . . . . . . . . . . . . . DARREN MANZARI JAMIE MORENO Costume PA . . . . . . . . . . . . . . . . . . . . . . . . LORI CASTANO ANTONIO SANSOVICH Department Head Makeup . . . . . TINA ROESLER-KERWIN CHAD VANKO Key Makeup Artist . . . . . . . . . CARLA CHAO BERNHOLTZ Key Grip . . . . . . . . . . . . . . GEORGE “BUBBA” SHEFFIELD Mr. Washington’s Makeup Artist . . . . . CARL FULLERTON Best Boy Grip . . . . . . . . . . . . . . . . . . . . . . . . GARY KELSO Mr. Wahlberg’s Makeup Artist . . . . . . . . . . . . NURIA SITJA A Camera Dolly Grip . . . . . . . . . . . . . . . . . DWAYNE BARR Ms. Patton’s Makeup Artist . . . . . . . . . . . . DIONNE WYNN B Camera Dolly Grip . . . . . . . . . . . . . . . . . . BUDDY CARR Additional Makeup Artists . . . . . . . . . . . . . . PAIGE REEVES Grips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ADAM BEARD SUSAN SPAID MAX BEARD Department Head Hair . . . . . . . . . . . . . . NATHAN BUSCH LOUIS BENJAMIN Key Hairstylist . . . . . . . . . . . . . . . . . . . THERESA FLEMING FRANK DiMARCO Mr. Washington’s Hairstylist . . . . . . . . . . LARRY CHERRY MICHAEL J. FEDUCCIA Mr. Wahlberg’s Hairstylist . . . . . . . JOHNNY VILLANUEVA SHANE E. GROS Ms. Patton’s Hairstylist . . . . . . . . . . . . . LAWRENCE DAVIS LONNIE KAHOE Additional Hairstylists . . . . . . . . . . . . . . . . . DAINA DAIGLE XAVIER LUEVANO TONY WARD KEVIN LUSTER ANDREA YOUNG SCOTT LUTTRELL Chief Lighting Technician . . . . . . . . . . . . PAULIE O’LINDE FRANCIS OSER Best Boy . . . . . . . . . . . . . . . . . . . . . . . . . TARIK ALHERIMI RACHEL S. PERLIS Lamp Operators . . . . . . . . . . . . . . . . . . GUY FERNANDEZ FRANK RYAN BRAD GARRIS GARY W. SHAW EVERETT GRANT ANDRE SOBCZAK RICHARD LANDRY JONATHAN “ACE” STOLL BRADLEY MARTIN ANDY YOUNG BRAD OLTMANN Additional Dolly Grip . . . . . . . . . . . . KENNETH COBLENTZ STEPHANIE SOUSA Additional Grips . . . . . . . . . . . . . . . . . . . . . RICHARD BALL JOHN TERPSTRA JOE ENGELBRECHT CHRIS TROSCLAIR Key Rigging Grip . . . . . . . . . . . . . . . . . . . . . GARY CADOW ROBB TURNER Best Boy Rigging Grips . . MICHAEL “BIG MIKE” BONNETT Rigging Gaffer . . . . . . . . . . . . . . . . . . . KEVIN LIPPINCOTT CURT BURLIN Rigging Best Boy Electric . . . . . . . . . JAKE SAUERBERRY Rigging Grips . . . . . . . . . . . . . . . . . . . . DURADO BROOKS Rigging Electricians . . . . . . . . . . . . . . ULYAN ATAMANYUK JEROME MILLER RUSSELL BEARD MICHAEL NISSEN BRIAN DALLAS CODIE SCOTT –4– RICK SECOSKY Previsualization Artist . . . . . . . . . . . . . . . . . LANDON LOTT DAVIEL SMITH Art Department Coordinator . . . . . . . . . . . GLORIA CLARK MELVIN J. WALKER Art Department PAs . . . . . . . . . . . . . . . MADELINE HEBERT SCOTT WHITEMORE AIMEE HUBER TechnoCrane Technicians . . . . . . . . . . . PATRICK BARNES Construction Coordinator . . . . . . . . . . . . . . . . . . DAN COE JOE DATRI General Foreman . . . . . . . . . . . . . . . . . . . . . . . JOHN SEAY DAN PILMAIER Locations Foreman . . . . . . . . . . . . . . . . . . JASON WILSON ADRIAN SANTA CRUZ Construction Buyer . . . . . . . . . . . . . . . . . . . . KEN BROWN HydraScope Operator . . . . . . . . . . . . . CHRIS DeFRANCO Foreperson . . . . . . . . . . . . . . . . . . . . . CHARLES WILSON Scorpio Head Technicians . . . . . . . . . . . . . MIKE KENNEDY Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KYLE KING JEFFREY WADE TAYLOR Gangbosses . . . . . . . . . . . . . . . . . . . . . . . . . LARRY DEAN Property Master . . . . . . . . . . . . . . . . . . . . . . WILL BLOUNT DAVID SESSUM, JR. Assistant Property Master . . . . . . . . . . DREW GUAJARDO Welder . . . . . . . . . . . . . . . . . . . . . . . . . . GLEN HEARD, JR. Armorer . . . . . . . . . . . . . . . . . . . . . . . MICHAEL PANEVICS Carpenters . . . . . . . . . . . CHARLES “CHUCK” DiBARTOLO Additional Armorer . . . . . . . . . . . . . . . . . . . VIRLE S. REID LEO F. LAURICELLA III Property Assistants . . . . . . . . . . . . . . . MOLLY HARRISON Propmaker Foreperson . . . . . . . . . . . . . . JUAN CABRERA JANETTE E. LUTTRELL Propmakers . . . . . . . . . . . . . . . . . . . . . . . . . . . DOUG HILL SONDA ROTOLO AJ HINGLE, JR. Leadman . . . . . . . . . . . . . . . . . . . . . . . PAUL BLANCHARD SCOTT MOBLEY Buyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL FOX Plaster Foreperson . . . . . . . . . . . . . . . . . DAVID WHATLEY Additional Buyers . . . . . . . . . . . . . . . . . . . . KIM S. CAREY Plasterers . . . . . . . . . . . . . . . . . . . . . . . . . SHAWN COPLEY RANDY SMITH HUKE JOSEPH LAURICELLA Gangboss . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID TOTH BRIAN LeBLANC On-set Dresser . . . . . . . . . . . . . . . . . . . . . . BILL WALTERS KENNETH W. LEWIS, JR. Set Dressers . . . . . . . . . . . . . . . . . . . . . . BRIAN BECNEL II CARLOS H.E. SAVANT KOU WING CHIN Construction Office Assistant . . . . . . . CITLANI QUINTANA GREGORY GENIUSZ Charge Scenic . . . . . . . . . . . . . . . . . . . LARRY SPURLOCK GREG HARNEY Paint Foreman . . . . . . . . . . . . . . . . . . . . . . KERRY HARDY J. MICHELLE LACAYO Paint Gangbosses . . . . . . . . . . . . . . . MICHAEL BERNARD JOHN E. LAMKIA GARY BROUILLETTE BRIAN B. McCOLGAN MICHAEL DINWIDDIE MATT RAFF ALEXANDER STOLIN THOMAS THORNE Standby Painter . . . . . . . . . . . . . . . . . . . . . . JACK REEVES GEORGE J. VORTISCH Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JULES SIDER BARKER WHITE Lead Greensman . . . . . . . . . . . . . . . . . . SCOTT C. BIVONA Sign Writer . . . . . . . . . . . . . . . . . . . . . . . ROBERT RAMSEY Greensmen . . . . . . . . . . . . . . . . . . ERIKA MARIE HEATON Set Decorating Coordinator . . . . . . . . . . DELANEY DAVIS RYAN LeBLANC Storyboard Artist . . . . . . . . . . . . . . . . . . . . . . . JAMES DOH CARL MASTIO Set Designers . . . . . . . . . . . . . . . . . WRIGHT McFARLAND Special Effects Coordinator . . JAMES “JIMMY” LORIMER ADELE PLAUCHE Special Effects Foreman . . . . . . . . . . BRUCE KUROYAMA TRINH VU Special Effects Purchasers . . . H. BARCLAY “H.B.” AARIS Graphic Artist . . . . . . . . . . . . . . . KELLY RAE HEMENWAY SARA R. MORRIS –5– Special Effects Pyro . . . . . . . . . . . . . . . . . . RICHARD HILL Casting Assistant (Los Angeles) . ALEXANDRA FRANKLIN Special Effects Technicians . . . . . . . . . . LARZ ANDERSON Casting (New Orleans) . . . . . . . ELIZABETH “LIZ” COULON JON G. BELYEU Casting Assistant (New Orleans) . . . . . . . . . . . . CANDI LEI JOHN BETHKE Extras Casting . . . . . . . . . . . . . . . . . . ROBIN BATHERSON R. MICHAEL BISETTE Key Extras Casting Assistant . . . . . . . . . JASON LANDRY LENNY DALRYMPLE Extras Casting Assistants . . . . . . . . . . . . IAN BATHERSON MATT DiSARRO MARCY E. PUNCH KEN EBERT Transportation Coordinator . . . . . . . . . . . . DOUG DOVICHI JOHNNY FONTANA Picture Car Coordinator . . . . . . . . . DEBBI MUSCARELLO RICHAR O. HELMER Transportation Captains . . . . GERARD O. CALLAHAN, JR. ERIC JOLLEY DOMICIANO RODRIGUEZ STEVE KLINE Transportation Dispatcher . . . . . . . . . . . . . SUE JENNINGS BRAD MANIS Mechanic . . . . . . . . . . . . . . . . . . . . . . . . RONALD DINSON STAN PARKS Driver to Mr. Washington . . . . . . . . . . . GAVIN ROBERSON BRETT SMITH Trailer Driver to Mr. Washington . . . . . . . . . . REGGIE FRY RAY WILKERSON Drivers . . . . . . . . . . . . . . . . . . . . . . . . . . MORRIS AROESTI DOUGLAS D. ZIEGLER MARK LEROY BASLER Video Playback Operator . . . . . . . . . DEMPSEY TILLMAN LESLIE BRISCOE Assistant Video Assists . . . . . . . . . BRIGITTE FAUCHEAUX RANDY BROWN MICHAEL McCULLOUGH RAPHAEL BROWN, JR. DAVE SCHMALZ BENNETT BUNCH Unit Publicist . . . . . . . . . . . . . . . . . . . . . . DIANE SLATTERY DONALD BURDETT Assistant to Mr. Washington . . . . . . . . . . . RITA PEARSON JERRIN COMEAUX Security to Mr. Washington . . . . . . . . . . SAL MUHAMMED JOSEPH COMEAUX Assistant to Mr. Wahlberg . . . . . . . . . . . . ERIC WEINSTEIN L. CHIP CROSBY, JR. Assistant to Ms. Patton . . . . . . . . . . . . . . . . . . . KIA PERRY JOHN DEPHILLIPS, JR. Assistants to Mr. Kormákur . . . . . ARDY BRENT CARLSON EDWARD DORSEY III MATTHEW HOLLOWAY ASHLEY DOVICHI JOEY LIEW ANTONIO FLETCHER Assistants to Mr. Platt . . . . . . . . . . . . . . . . . . . . JOEY LEVY PAULINE FRANKLIN CLAIRE WIHNYK JAVIER JIMENEZ Assistant to Mr. Siegel . . . . . . . . . . . . JONATHAN AHDOUT RONALD GUICHARD Assistant to Mr. Stott . . . . . . . SANTHO GOONEWARDENE RENE HORSTMANN Assistants to Mr. Emmett and Mr. Furla . JEFF ACKERMAN JUNIOR KELLY PHILIP NOORANI ADONIKA LANDRY JAY OSTERMAN BRADLEY LIPS JESSICA WELCH JESS QUIET Executive in Charge of Development MARK J. RASCHKE   for Emmett/Furla Films . . . . . . . . . . . . . . TIM SULLIVAN THOMAS RODRIGUEZ Head of Physical Production . . . . MICHAEL P. FLANNIGAN SHELTON “BIG POPPA” SLACK Intern to Mr. Flannigan . . . . . . . . . . . . . . GINA GRANGER STEVE SMITHERMAN Casting Associate . . . . . . . . . . . . . . . VANESSA SPENCER JAMES SPEARS –6– MIGUEL SWIFT Additional Office Production Assistant . . JASON OUSLEY JACK J. TERRANOVA Office Interns . . . . . . . . . . . . . . . . . . . . . . MONICA MARTIN RODNEY THEARD STEPHEN PFEIL WILLIAM H. VARNADO MARK SMITH DUSTIN VIOLA Base Camp Production Assistant . . . . . . . SONIA TORRES MARK WEBB Key Set PA . . . . . . . . . . . . . . . . . . . . . . ERIC WILLIAMSON ADRIANE WILLIAMS Set Production Assistants . . . . . . . . . . . ASHLEY FARRELL BYRON WILLIAMS ASHLEY FOSTER RAY WILLIS SAMUEL FOSTER RAY WOOD CHRIS GUGISBERG Camera Car . . . . . . . . . . . . . . . . . . . . . . . . JAMES MARKS RICKY WEAVER Insert Car . . . . . . . . . . . . . . . . . . . . . . . . . . . DAN PILMAIER Additional Production Assistants . . . . . CARMEN ACOSTA Key Craft Service . . . . . . . . . . . . MICHAEL G. RANDOLPH SHANE GRADY 1st Assistant Craft Service . . . . . . . . . . . . PAUL ABRAHAM ANDRE HERRERA Craft Service Assistants . . . . . BRIAN KELLER LOCICERO ASHLEE KILCHRIST KAYLEIGH McDONALD GERALD MEDINA CHELSEA PENTON LAURA E. RIZER ROBERT SOELL DANIELLE STINER Caterer . . . . . . . . . . . . . . . . . . . . . AMERICAN ROADSHOW AARON STONE Chefs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P.J. HAINES RYAN WOOLEY CHRISTOPHER SHANE HUGHES Security . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID E. BURKE Catering Assistants . . . . . . . . . . . . . . . . . . ERIC ANTHONY Studio Teacher . . . . . . . . . . . . . . . . . SUE DEE LAZZERINI TRAVIS CAST DEA Technical Advisor . . . . . . . . . RICHARD WOODFORK MAX CRAINE Navy SEAL Technical Advisor . . . . . . . . . . . . JAMIE WALL DENNIS M. CROCKER Animal Coordinator . . . . . . . . . . . . . . . . . . . . . . . SID YOST FRED “FRITZ” ECKSTEIN Head Trainer . . . . . . . . . . . . . . . . . . . . TREAVOR GEORGE ELLANA GINSBURG Animal Trainers . . . . . . . . . . . . . . . . . . RAHONDA MOORE SEAN LYNN RANDY MOORE PAUL RYAN JASON M. OWEN BOB SPEARS Animal Wranglers . . . . . . . . . . . . . . . . . DARRELL REEVES BILL TAYLOR JARRALD ROBERTSON Set Medic . . . . . . . . . . . . . . . . . . . . . . JENNIFER BROWN JODY ROGERS Construction Medic . . . . . . . . . . . . . . . CHRISTY M. CORB JUSTIN SEALS Additional Medics . . . . . . . . . . . . . . . . . . ROY BARRIOS III Bull Wranglers . . . . . . . . . . . . . . . . MARSHALL DeSOUGE KARA BOWMAN REGINALD PURRIS LAUREN CAMP Coyote Trainer . . . . . . . . . . . . . . . . . . . . MIKE ALEXANDER MATTHEW FORD NEW MEXICO UNIT CAROL WOOD Office Production Assistants . . . . . . . . . . . . . . JEFF BLAIR CHAD PETERSON Assistant Unit Production Manager . . . . . . . ANNE JOHNS KURT “KT” SCHOENHALS Assistant Art Director . . . . . . . . . . . . . PAULA DAL SANTO MAYNARD SMITH C Camera Operator . . . . . . . . . . . . . . . MICHAEL WALKER –7– 1st Assistant C Camera . . . . . . . . . . . . . . . . . . CHIP BYRD BENJAMIN LOBATO 2nd Assistant C Camera . . . . . . . . . . . . . . . ROB SALVIOTTI SEAN MARLON Sound Utility . . . . . . . . . . . . . . . . . . . . . . . BRETT BECKER FRANK MONTOYA Video Assist . . . . . . . . . . . . . . . . . . . . . . . . . FRANK EYERS RICHARD PINK Aerial Director of Photography . . . . . RONALD GOODMAN TODD ROBERTS Aerial Coordinator/Camera Pilot . . . . CLIFFORD FLEMING Grips . . . . . . . . . . . . . . . . . . . . . . . . . MARK T. ANDERSON Huey Pilot . . . . . . . . . . . . . . . . . . . . . . . . . RICK SHUSTER MATT DeBEVEC Huey Co-pilot . . . . . . . . . . . . . . . . CORBETT L. FLEMING BRAD FRESHMAN Aerial Ground Coordinator/Pilot . . . . . . . JOHN SCANLON JUERGEN HEINEMANN SpaceCam Tech . . . . . . . . . . . . . . . . . . CARLOS F. CIBILS CHRIS SIPES Additional Assistant Director . . . . . . . . . . . . JAI JAMES JASON SMITH Production Coordinator . . . . . . . . . FAITH STRONGHEART ERIC STEINIG Production Secretary . . . . . . . . . . . . . . . CORRINE BUTLER PETER WEIDENFELLER 1st Assistant Accountant . . . . . . . . . CABERNET MURRAY PAUL “CROW” WILLIS 2nd 2nd Assistant Accountants . . . . . . . . . . . . . . . . LISA ELROD Key Rigging Grip . . . . . . . . . . . . . . . . . . . . MARK STEINIG NORINA MICHELLE MORALES Rigging Grip Best Boy . . . . . . . . MICHAEL MANZANARES Location Manager . . . . . . . . . . . . . REBECCA PUCK STAIR Rigging Grips . . . . . . . . . . . . . . . . . . DAVID MIDTHUNDER Assistant Location Managers . . . . . . . . JENNIFER JOYCE RICHARD STEINIG JOHN PAUL POTTER Techno Crane Operator . . . . . . . . . . . RANDALL R. SEARS Location Assistant . . . . . . . . . . . . . . . . . . THOMAS MEADE Techno Crane Tech . . . . . . . . . . . . . . . . . . . EVAN NELSON Costumers . . . . . . . . . . . . . . . . . . . . . . . . . JOHN DEERING Crane Tech . . . . . . . . . . . . . . . . . . . . . . . . . . . IAN CURRY ALISON FUSARO Hydrascope Techs . . . . . . . . . . . . . . . . . . . . . . . JOE DATRI BOBBY LANGHOFER ADRIAN SANTA CRUZ BRANDY MARRS Scorpio Head Tech . . . . . . . . . . . . . . . . . . . . JEFF TAYLOR ALLYSON TRAUB Property/Armorer Assistant . . . . . . . . DAVID D. BAUMANN Additional Makeup Artists . . . . . . . . . . . SVETLANA BRITT Property Assistant . . . . . . . . . . . . . . . . LAWRENCE TOLLE LISA HILL Additional Property Assistants . . . . . . . CELESTE L. COLE KAREN McDONALD ROBERT ELLIOT-BARRY VANESSA SHARP Leadman . . . . . . . . . . . . . . . . . . . . . . . . . SPENCER STAIR Additional Hairstylist . . . . . . . . . . . . . . . . . . DEBRA CLAIR Buyer/On-set Dresser . . . . . . . . . . . . . . . . . . COLIN ZAUG Electricians . . . . . . . . . . . . . . . . . . . . . . . . CHRIS GRIFFIN Shopper Buyer . . . . . . . . . . . . . . . . . . . LISA CORRADINO JASON LINEBAUGH Set Dressers . . . . . . . . . . . . . . . . . . . . DAVID BENAVIDES DANIEL ZAMORA DEREK BENSONHAVER Additional Electrician . . . . . . . . . . . . . BRANDLES BARNES RAM GORADIA Rigging Gaffers . . . . . . . . . . . . . . . . . . . . . . . . DAVE KOHN RICHARD HUGHES RAY ORTEGA JOSIAH O’NEIL Rigging Best Boy Electric . . . . . . . . . . . . . LOUIS NELSON DAVID THOMPSON Rigging Electricians . . . . . . . . . . . . . . . . . WAYLON BRADY Art Department Coordinator . . . . . . . ROBERTA M. SERET JON CARADIES Art Intern . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC FULCHER JOE DONATO Construction Coordinator . . . . . . . . . . . RONALD JAYNES BEN ESTRADA General Foreman . . . . . . . . . . . . . . . . . . . . CHIP RADAELLI MIKE D. FERNANDEZ Shop Foreman . . . . . . . . . . . . . . . . . . . . . RICHARD HURFF –8– Location Foreman . . . . . . . . . . . . . . . . . SHAWN CAFFREY ADAM CANDELARA Propmakers . . . . . . . . . . . . . . . . . . . . . . RUBEN J. ACUNA BENETTE CANTU RIO ALEXANDER PHYLLIS CANTU HARRY J. BEAVER STEVE CARILLO CHRIS J. GALLEGOS NATALIE CASADOS DOUG WORMAN ROBERT CHAVEZ Plasterer . . . . . . . . . . . . . . . . . . . . . . . . . . . CARL ZELLER JAMES CLARK Standby Carpenter . . . . . . . . . . . . . . . . . . . . ZACK SMITH ART CLAUNCH Greens Foreman . . . . . . . . . . . DUPRELON “TIZ” TIZDALE CINDY CLAUNCH Additional Greensmen . . . . . . . . . . . . . . . . . . . CHRIS KEIM WESLEY B. CLAUNCH ADRIAN LOBATO VINCENT CORDOVA Charge Scenic . . . . . . . . . . . . . . . . . . . RANDY E. ORTEGA CLETUS COTTON Scenic Foreman . . . . . . . . . . . . . . RANDY PAUL ORTEGA FRANK CRUZ Scenic Gangboss . . . . . . . . . . . . . . JASON CRITCHFIELD TOM DAVIS Set Painters . . . . . . . . . . . FRANCISCO WHITSON BROWN PETE DZEK TRAVIS LATHROP DORAIFREY “DORIE” ESTRADA ROBERT ORTEGA MIKEL RAY EVANS RUDI ROSSITER KEN FLORES TOM RUTHLEDGE PENNY HICKS Head Wrangler . . . . . . . . . . . . . . . . . . . . . . CLAY M. LILLEY OFISA ISAIA Wrangler Gangboss . . . . . . . . . . . . . . DAVID A. RODGERS SHERMAN JACKSON Animal Wranglers . . . . . . . . . . . . . . EDWARD K. PINKARD LAURA JAMES JAMES RODRIGUEZ ROB JOHNSON KYLE SEGURA BARRY KERNS FORRIE J. SMITH ANTHONY LEBOW DENNIS TRUJILLO GAVIN LEBOW Livestock Wranglers . . . . . . . . . . . . . . . . FRED ESPINOSA JOE LORG ZORA HERTEL WENDY MARTIN Chicken Assistant . . . . . . . . . . . . . . . . . RALEIGH WILSON ROBERT “RED” MAXWELL Coyote Handler . . . . . . . . . . . . . . . . . . . . TAMMY MAPLES MIKE McKENNY Water Safety . . . . . . . . . . . . . . . . . . . . . BOB VAN TASSEL JARED MEADOR Studio Teacher . . . . . . . . . . . . . . . . . . . . . . KRISTY VIERA LEWIE MEADOR Extras Casting . . . . . . . . . . . . . . . . . . . . . . . . . . TINA KERR PETE MEDA Extras Casting Assistant . . . . . . . . . . . . . . KARIN ARAGON STEPHEN H. PAPE Transportation Captain . . . . . . . . . . . JAMES “BILLY” RAY JADE PETERSON Dispatcher . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY BORG PAUL RAY Drivers . . . . . . . . . . . . . . . . . LINDA DANIELS ANDERSON JOSH REYNOLDS JOEY AROESTI PATRICK REYNOLDS SHAUN AVERY SOL RIVERA PATRICK D. BAKER THOMAS RODRIGUEZ GEORGE M. BROWN WALT “GRAMPY” RUSSELL TOM BYRD GILBERT SANCHEZ –9– BRUCE SIMALLA 1st Assistant Director . . . . . . . . . . . . . . . . . . . . ERIC HAYES RICHARD SLAUGHTER 2nd Assistant Director . . . . . . . . . . . . MICHAEL LEONARD PATRICK SMITH Stunt Coordinator . . . . . . . . . . . . . . . . . . . . . WADE ALLEN JEFF SNEE Director of Photography . . . . . . . . . . DUANE MANWILLER TODD SOPHER 1st Assistant A Camera . . . . . . . . . . . . . . . . . . EJ MISISCO RENA STALCUP 2nd Assistant A Camera . . . . . . . . . . . . . . AUSTIN ALWARD LUCAS MATTHEW STEIN B Camera/Steadicam Operator . . . . . . . . . . MARK MOORE CHAD TOCHETTE B Camera Operator . . . . . . . . . LUIS LOPEZ DE VICTORIA JOE TUCK 1st Assistant B Camera . . . . . . . . . . . BROUKE FRANKLIN STEVE VANDIVER 2nd Assistant B Camera . . . . . . . . . . . . . TREVOR TUFANO ERIC MATT WAGNER Additional Camera Operators . . . . . . . MICHAEL STUMPF PETE WATLEY JEFFREY J. TUFANO LEANNE WILKERSON Additional 1st Assistant Camera . . . . . . . BRYAN ELLISON CURTIS WILLIAMS ALLAN KEFFER 2nd Craft Service . . . . . . . . . . . . . . . . . . . . . . LISA VAN ALLEN Additional Assistant Camera . . . . TONJA GREENFIELD Assistant Craft Service . . . . . . ALLISON JANDREAU-HEIL Loaders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HAI LE Caterer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARIO’S JANICE MIN Chef . . . . . . . . . . . . . . . . . . . . . . . . . . RONALD GONZALES Video Playback Operator . . . . . . . . . . . . . DUSTIN LOGAN Set Medics . . . . . . . . . . . . . . . . . . . . . . . . . DOUG ACTON Sound Mixer . . . . . . . . . . . . . . . . . . . . . ERIK H. MAGNUS PAUL “COW” BACA Boom Operator . . . . . . . . JIMMY “COACH” ARMSTRONG DAVE BETHEL Script Supervisor . . . . . . . . . . . . . . . . . . . NANCY BREAUX JASON R. MILLER Gaffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEAN FINNEGAN Office Production Assistants . . . FRANCISCUS LAIMBOCK Best Boy Electric . . . . . . . . . . . . . SCOTT D. ZUCHOWSKI ARIEL LOPEZ Lamp Operators . . . . . . . . . . . . . . . . BENNETT BARTLEY JASON PONIC CARTER LEE GARRETT Additional Office Production Assistants . . RICHARD HELLER JOSHUA LILLY JESSI SMART Best Boy Rigging Electric . . . . . . . . . . . . . . JON McGINTY D.H. STRONGHEART Rigging Electricians . . . . . . . . . . . . . . . . . GREELEY ADLER Production Intern . . . . . . . . . . . . . . . . . . SIDNEY LATCHAW MICHOUD M. JOHNSON Set Production Assistants . . . . . . . . . . . . . . . . JON BARAN TIMOTHY JONES MICKEY BROWNE CHRISTOPHER MEYDRICH COLIN GARZA Bebee Light Operator . . . . . . . . . . . . JOHN S. CAMPBELL CORLOS MONTOYA Key Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JIMI RYAN MAYNARD DEL MAR Best Boy Grip . . . . . . . . . . . . . . . . . . . . . . . . . RYAN WARD RYAN MYHAND Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . RICHARD HOOVER ANTHONY PELOT Grips . . . . . . . . . . . . . . . . . . . . . . . . . . . LUKE CAUTHERN STEPHEN TURSELLI SCOTT LUTRELL NICK NICOLAY 2ND UNIT NEW ORLEANS MIKE SATTERFIELD JOSH SEPE 2nd Unit Director . . . . . . . . . . . . . . . . DARRIN PRESCOTT ROBERT ZAS Unit Production Manager . . . . . . . . . . . . JEFFREY STOTT Pursuit Crane Arm Operator . . . . . . . PETER A. TOMMASI – 10 – On-set Dresser . . . . . . . . . . . . . . . . . . . . VINCE LeBLANC JEFF BETTIS Additional Location Manager . LEONARD E. REYNOLDS III RONALD “PABLO” ROMERO Transportation Captain . . . . . . . . . . . . . LIONEL JOHNSON Additional Hairstylist . . . . . . . . . . . . . . . . . YVETTE MEELY Drivers . . . . . . . . . . . . . . . . . . . . . . . . . MYRON D. BUNCH Additional Makeup Artist . . . . . . . . . . . . . COPPER PERRY CASSIDY ELI Medic . . . . . . . . . . . . . . . . . . . . . . . . . . . . DALE O’MALLEY MCGRAW LEWIS Additional Medic . . . . . . . . . . . . . . . . . . . . JASON MILLER STEVE A. ROBINSON Script Supervisor . . . . . . . . . . . . . . . . . . JUDI TOWNSEND Chefs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEAN LYNN Transportation Captain . . . . . . . . . . . . . . . . . JOSH FOLEY AARON TYSON Drivers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DOUG BAIRD Assistant Chef . . . . . . . . . . . . . . . . . . . . . FRED ECKSTEIN ROBERT A. CASTILLO Key Craft Service . . . . . . . . . . . . . . . . . . . PAUL ABRAHAM WESLEY CLAUNCH Craft Service Assistant . . . . . . . . . . . . . GERALD PALONE JIMMY GOODMAN Production Assistants . . . . . . . . . . MADDIE APPLEWHITE ROBIN GOODMAN CHRIS BULLER DART HARDIMAN ADAM MICHAEL CAPONE JONATHAN PAGE BRIAN C. LAUZIERE Key Craft Service . . . . . . . . . . . . . . . . . SHAUN STEAGALL AARON STONE Craft Service Assistants . . . . . . . LAWRENCE LaBOUNTY KHALIC NANCE 2ND UNIT NEW MEXICO TRAVIS STEAGAL 2nd Assistant Director . . . . . . . . . . . . . . . . . ANNA RAMEY 2ND UNIT LOS ANGELES Production Assistants . . . . . . . . . . . . . . . . JOE BURALINO ERIC LISAUSKY Line Producer/Unit Production Manager . . . . . . . . . . . . . . Camera Operator . . . . . . . . . . . . . . . . . . . . PHIL PFEIFFER LOUIS G. FRIEDMAN 2nd Assistant A Camera . . . . . . . . . . CHARLIE NEWBERRY 1st Assistant Director . . . . . . . . . . . . . . . . . GARY MARCUS 1st Assistant B Camera . . . . . . . . . . . . . . . PAUL SANTONI 2nd Assistant Director . . . . . . . . . . . . . . . . . . PAULA CASE 2nd Assistant B Camera . . . . . . . . . . . . . . . . . RYAN EUSTIS 2nd 2nd Assistant Director . . . . . . . . . . . . MATTHEW PEXA Additional 2nd Assistant Camera . . . . . TYLER A. EMMETT Script Supervisor . . . . . . . . . . . SUSAN BIERBAUM OWEN Loader . . . . . . . . . . . . . . . . . . . . . . GIOVANNI CARRANZA Director of Photography . . . . . . . . . PETER MENZIES, JR. Sound Mixer . . . . . . . . . . . . . . . . . . . DAVID BROWNLOW A Camera/Steadicam Operator . . . . . MARK GOELLNICHT Utility Sound . . . . . . . . . . . . . . . . MATTHEW KABOAKOFF 1st Assistant A Camera . . . . . . . . . . . . . . . . STEVE CUEVA Video Assist . . . . . . . . . . . . . . . . . . . . . . . . SCOTT WETZEL 2nd Assistant A Camera . . . . . . . . . . . . . . . . JESS LAKOFF Costumer . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN DEERING B Camera Operator . . . . . . . . . . . . . . . . . . . ERIC WYCOFF Gaffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAY KEMP 1st Assistant B Camera . . . . . . . . . . . . . . GREG WILLIAMS Best Boy Electric . . . . . . . . . . . . . . . . . . THEODORE BOTT 2nd Assistant B Camera . . . . . . . . . . . . . . . . BETTY CHOW Electricians . . . . . . . . . . . . . . . . . . . . . . . JEREMY OLIVER Loader . . . . . . . . . . . . . . . . . . . . . . . . . . . HELEN TADESSE JORN VYLONIS Production Sound Mixer . . . . . . . . . . . . . . . . . . BOB EBER Rigging Electrician . . . . . . . . . . . . . . . . JACOB COTTRELL Boom Operator . . . . . . . . . . . . . . . . . . . SCOTT EDELSON Key Grip . . . . . . . . . . . . . . . . . . . . . . . KURT KORNEMANN Video Playback Operator . . . . . . . . . . . LANCE VELAZCO Best Boy Grip . . . . . . . . . . . . . . . . . . . . . . BRIAN MALONE Production Designer . . . . . . . . . . . . . . . . . TOM DUFFIELD Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . IAN J. HANNA Set Decorator . . . . . . . . . . . . . . . . . . . . SUZETTE SHEETS Grips . . . . . . . . . . . . . . . . . . . . . . . . . . CHARLES ARNOLD Leadman . . . . . . . . . . . . . . . . . . . . . . . . . . . BRENT BLOM – 11 – MUSIC On-set Dresser . . . . . . . . . . . . . . . . . . . DREW SANDOVAL Location Manager . . . . . . . . . . . . . . . . . . . . BOB LePUCKI Department Head Hair . . . . . . . . . . . . . NINA PASKOWITZ Score Recorder and Mixer . . . . . . . . . . . . BRAD HAEHNL Department Head Makeup . . . . . . . . . STEPHANIE SCOTT Orchestrator . . . . . . . . . . . . . . . . . . . . . . . MATT DUNKLEY Gaffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIK FOLSOM Music Preparation . . . . . . . . . . . . . . . . . . . . . . DAVE HAGE Best Boy Electric . . . . . . . . . . . . . . . . . . . . JOHN LINARES Music Editors . . . . . . . . . . . . . . . . . . . . . . . . JEFF CARSON Rigging Gaffer . . . . . . . . . . . . . . . . . . . . . BILL MAYBERRY CHARLES MARTIN INOUYE Key Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC BUDLONG Guitar . . . . . . . . . . . . . . . . . . . . . . . . . CLINTON SHORTER Best Boy Grip . . . . . . . . . . . . . . . . . . . . . BRIAN DEUTSCH Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRAM INSCORE Special Effects Coordinator . . . . . . . . . . . . . . RON TROST Drums . . . . . . . . . . . . . . . . . . . . . . . . . . . JOE WARONKER Production Coordinator . . . . . . . . . . . . KATHLEEN KELLER Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Production Coordinator . . . . . DEBBIE MERRITT SLOVAK NATIONAL SYMPHONY ORCHESTRA Production Assistants . . . . . . . . . . . . . . . OSCAR FLORES Conductor . . . . . . . . . . . . . . . . . . . . . . . . . ALLAN WILSON TAYLOR VAUGH LASLEY Contractor . . . . . . . . . . . . . . . . . . . . . . PAUL TALKINGTON RAFA SANZ Score Recorder . . . . . . . . . . . . . . . . . . . . . . PETER FUCHS Transportation Captain . . . . . . . . . . . CHAD WADSWORTH Score Recorded at . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Transportation Co-captain . . . . . . . . SCOTT GOUDREAU SLOVAK RADIO RECORDING STUDIO Caterer . . . . . . . . . DELUXE MOTION PICTURE CATERING Music Clearances . . . . . . . . . . . . . . . . . . . . REBEL MUSIC Craft Service Foreman . . . . . . . . . . . . . . . BILLY RAMIREZ ROBIN URDANG Extras Casting . . . . . . . . . . . . . ALESSI-BERONA CASTING Music Assistant . . . . . . . . . . . . . . . . . . JESSICA KALIKOW POSTPRODUCTION SOUND SERVICES PROVIDED BY: DIGITAL INTERMEDIATE PROVIDED BY: TODD SOUNDELUX COMPANY 3 Re-recording Mixers . . . . . . . . . . . . . . . . . . JOE BARNETT Colorist . . . . . . . . . . . . . . . . . . . . . STEPHEN NAKAMURA TONY LAMBERTI, cas DI Producer . . . . . . . . . . . . . . . . . . . . CHRISTIAN PREJZA Sound Effects Editors . . . . . . . . . . . . BILL R. DEAN, mpse Digital Conform . . . . . . . . . . . . . . . . . . . . . . . PAUL CARLIN KRIS FENSKE, mpse DI Technologist . . . . . . . . . . . . . . . . . . . . . . MIKE CHIADO KENNETH L. JOHNSON, mpse Color Assistant . . . . . . . . . . . . . . . . . . . . . . TRAVIS FLYNN Dialogue Editors . . . . . . . . . . . . . JOHN C. STUVER, mpse Head of Production . . . . . . . . . . . . . . . . . DEVIN STERLING DAVID WHITAKER Account Executive . . . . . . . . . . . . . . . . . . . . . . JACKIE LEE Foley Editor . . . . . . . . . . . . . . . . . . . LORITA DE LA CERNA Company 3 Executive Producer . . STEFAN SONNENFELD Assistant Sound Editor . . . . . . . . . . PAUL FLINCHBAUGH Film Developing and Dailies by . . CINEWORKS LOUISIANA Recordist . . . . . . . . . . . . . . . . . . . . . . . . . . . CERI THOMAS Dailies Colorist . . . . . . . . . . . . . . . . . . . BRADLEY GREER Foley Mixer . . . . . . . . . . . . . . . . HARRY M. CHENEY, mpse Foley Artist . . . . . . . . . . . . . . . . . . . . . . . . GINGER GEARY VISUAL EFFECTS: ADR Mixer . . . . . . . . . . . . . . . . . . . . . . . RON BEDROSIAN FRAMESTORE, ICELAND ADR Recordist . . . . . . . . . . . . . . CHRISTOPHER BARRICK Additional Audio . . . . . . . . . . . . . . . . . . . . . . JOHN BIRES Visual Effects Supervisor . . . . . . . . . . . . DADI EINARSSON DAVID YOUNG Visual Effects Producer . . . . . . . . . . . . . . . LESLIE HOUGH Lead Compositor . . . . . . . . . . . . . . . . . . . . . HELGI LAXDAL Compositing Supervisor . . . . . . . . . . . . JAKE MAYMUDES – 12 – Visual Effects Associate Producer . . . . . . . JULIE FISCHER Lead Roto Artist . . . . . . . . . . . . . . . . . . . . . . . . ABU THAIR Visual Effects Coordinator . . . . LINDA KRISTJANSDOTTIR Roto Artists . . . . . . . . . . . . . . . . . . . . . . RAVINDER BURLA Visual Effects Editor . . . . . . . . SIGURDUR EYTHORSSON HEMAN KHERNAR CG Supervisor . . . . . . . . . . . . . . MATTHIAS BJARNASON ANOOP M. NAIR TD . . . . . . . . . . . . . . . . . . . . . . . . . . . STEFAN THORSSON PRAKHAR PANT Animators . . . . . . . . . . . . . . . . VLADIMAR BALDVINSSON NANDULAL RADHAKRISHNAN JAKOB BALTZERSEN SAGAR SHRINATH Modelers . . . . . . . . . . . . . . . . . . . . . PÉTUR ARNÓRSSON MIDHUN V. V SKULI OLAFSSON Texture Painter/Digital Matte Painter . . . . . EVA KRISTJÁNS OLLIN VFX Matchmove Artists . . . . . . . . . . . . . . VILLI SIMONARSON TJ BURKE VFX Supervisor . . . . . . . . . . . . . . . . CHARLIE ITURRIAGA Compositors . . . . . . . . . . . . . . . . . BRAGI BRYNJARSSON VFX Executive Producer . . . . . . . . . . . . . . ROBIN D’ARCY MAXIME CHAIX Compositing Supervisor . . . . . . . . . . . . CARLOS GUILLÉN ANDREAS CRONSTRÖM CG Supervisor . . . . . . . . . . . . . . . . . . . . . LLUÍS BARCELÓ HEIDRÚN HARALDSDÓTTIR Digital Artists . . . . . . . . . . . . . . . . . . . . . . . CARLOS ANAYA ELVA SARA INGVARSDOTTIR HÉCTOR AYALA HENRIK LINNET GUSTAVO BELLÓN GUNNHILDUR THORKELSDOTTIR ANĺBAL CASTELLANOS VALUR ZOPHONIASSON FRANCISCO CASTILLO Systems Administrator . . . . . . . . . . . . . . . . . . RUI GOMES ALEJANDRO DÁVALOS Pipeline TD . . . . . . . . . . . . . SVEINBJORN TRYGGVASON BRENDA ESQUIVEL Visual Effects Data Wrangler . . . . . . . TANNER CROSHAW OMAR GARCĺA Additional Visual Effects . . . . . . . . PRIME FOCUS WORLD GUILLERMO GARDUÑO VFX Supervisor . . . . . . . . . . . . . . . . . . . SHAYNE FARRIER MARLEN GIL VFX Lead . . . . . . . . . . . . . . . . . SHAILENDRA SWARNKAR LUIS GÓMEZ VFX Producer . . . . . . . . . . . . . . . . . . . SARAH CAUCHOIS MIGUEL de HOYOS VFX Line Producer . . . . . . . . . . . . . . . . . . . . . . NIDHI SETH FERMĺN MALDONADO VFX Coordinator . . . . . . . . . . . . . . . . . . . . . VIVEK PUNDIR DELTA MANZANO VFX Assistant . . . . . . . . . . . . . . . . . . . . . . . . . AKASH ROY LUIS MEDINA Digital Paint Artists . . . . . . . . . . . NAGA SUNDEEP AGADI JOSÉ NARVÁEZ SAGAR APHANDKAR IVONNE OROBIO GEORGE DOUGLAS PEDRO POMARES VAIBHAV SHRIHARI KONGARI ASIA RIVERA RAJENDRA MAHARANA ALONSO SÁNCHEZ YOGITA MANE ENRIQUE SANDOVAL OLE NORDBY SALVADOR TRUJILLO PIYUSH PAREEKH FERNANDO URBINA ARUN RAJKUMAR RICARDO VALDEZ NATWAR ROTHORE PABLO VÁZQUEZ SUMIT SARKAR VFX Production . . . . . . . . . . . . . . . . . . . . JUAN JOSÉ AJA VARADRAJ ELIZABETH ASAI – 13 – FOR FORESIGHT UNLIMITED LUIS BARRERA CLAUDIA DOMINGUEZ OLIVER de GANTE President . . . . . . . . . . . . . . . . . . . . . . TAMARA BIRKEMOE DANIEL GOLLAS Distribution and Development . . . . . . . . SCOTT COLLETTE KIM QUIROZ Marketing and Operations . . . . . . . . . JENNIFER NGUYEN ESTĺVALIZ ZARAGOZA Executive Assistant to Mark Damon . . . KYLE BELLINGER Assistant to Tamara Birkemoe . . . . CHRISTOPHER WILLIS Finance Consultant . . . . . . . . . . . . . . . . . . DEVIN CUTLER SIMPLE TRICKS & NONSENSE VFX Financing Legal Services . . ORTWIN FREYERMUTH, ESQ. VFX Supervisor/Producer . . . . . MARC DOMINIC RIENZO FREYERMUTH & ASSOCIATES, INC. Compositing Supervisor . . . . . . . . . . . RYAND McDERMID International Business/Legal Affairs JENNA SANZ-AGERO Lead Compositor . . . . . . . . . . . . . JULIANNE HOLZSCHUH International Distribution Services . . . . . . . . . . . . . . . . . . . Compositors . . . . . . . . . . . . . . . . . . . . . . . . DAN CREGAN MOTION MEDIA SERVICES JOSH RIVAS SVEIN BIRKEMOE Lead Paint Artist/Coordinator . . . . . . . . . . AARON BEEBE DAVID GAYNES Paint Artists . . . . . . . . . . . . . . . . . . . . . . . . DAVID BETTEN International Distribution . . . . . . . FORESIGHT UNLIMITED PAUL CARNEGIE CHRIS CHALAIRE KINNER SPAULDING Compositors . . . . . . . . . . . . . . . . . . . . . . . . ELI LANCELOT STEVEN SCHMIDT “AL FIN” Written by Joey Peters, Judith de los Santos Romero Performed by Judith de los Santos Romero Courtesy of Megatrax Production Music CHRISTIAN TURNER Main Title Design by . . . . . . . . . . . . . . . . . . . . . AV SQUAD “DIVORCIADA” Film Color Timer . . . . . . . . . . . . . . . . . . . . . . JIM PASSON Written by Andy Gonzales Clearance Coordinator . . . . . . . . . . . . . . . . JOHN SMART Courtesy of FirstCom Music Product Placement . . . . . . . . . . . . STONE MANAGEMENT Product Placement Coordinators . . . . . . . . ADAM STONE CAT STONE Legal . . . . . . . . . . . . . . . . . . . . BURGEE & ABRAMOFF PC ROBERT W. ABRAMOFF SLOSS ECKHOUSE LAWCO, LLP JERRY DASTI “SACRIFICE” Written and Performed by Nicholas “Aqua” McCarrell “ENTREGATE” Written by Matt Hirt, Marc Ferrari, Francisco Rodriguez Performed by Matt Hirt and Francisco Rodriguez Courtesy of FirstCom Music JACKIE ECKHOUSE Bond Company . . . . . . . . . . . . . . . . FILM FINANCES, INC. JOHN A. AMICARELLA STEVEN BERMAN Partial Equity Financing Provided by . . . . . . . . . . . . . . . . . FFA PRIVATE BANK S.A.L. “CRAZY THINGS” Written by Nicholas “Aqua” McCarrell and Nicole Leidinger Performed by Nicholas “Aqua” McCarrell, feat. Niki Darling Production Financing Provided by . . . . . . . . . . . . . . . . . . . COMERICA ENTERTAINMENT GROUP “MI CORAZÓN MI AMOR” ADAM J. KORN Written by Lionel Wendling ANDREW C. ROBINSON – 14 – Courtesy of APM Music “ALL ALONG THE WATCHTOWER” Written by Bob Dylan Performed by Bob Dylan Courtesy of Columbia Records Camera Cranes, Dollies, Remote THE PRODUCERS WISH TO THANK and Stabilized Camera Systems by State of Louisiana Chapman/Leonard Studio Equipment, Inc. City of New Orleans & New Orleans Office of Film & Video Hydrascope Telescoping Crane Arm by Jefferson Parish Chapman/Leonard Studio Equipment, Inc. St. Tammany Parish & Tangipahoa Parish Camera Car by U.S. Marine Corps Chapman/Leonard Studio Equipment, Inc. U.S. Coast Guard International High School of New Orleans Kodak Motion Picture Products Federal City Marlon DeFillo Amite City Chamber of Commerce Amite City Police Department U.S. Fish & Wildlife Service AMERICAN HUMANE ASSOCIATION MONITORED THE Louisiana Department of Wildlife and Fisheries ANIMAL ACTION. NO ANIMALS WERE HARMED. State of New Mexico (AHAD 03751) County of Santa Fe City of Albuquerque Sandia Resort & Casino Double Eagle II Airport Billy and Joy Wrye Wesley and Cathy Layman Abeyta-Trujillo Acequia Association NO. 39830 Estancia, New Mexico Remington Chase MOTION PICTURE ASSOCIATION OF AMERICA Stepan Martirosyan Agnes Johansen LouisianaEntertainment.Gov DEDICATED TO Ethan and Leslee Emmett COPYRIGHT © 2013 GEORGIA FILM FUND FIFTEEN, LLC and UNIVERSAL STUDIOS IN LOVING MEMORY OF All Rights Reserved. Thea Emmett Justin Holocek Animated Universal Studios Logo Chris Lighty © 2013 Universal Studios – 15 – ALL MATERIAL IS PROTECTED BY COPYRIGHT LAWS OF THE UNITED STATES AND ALL COUNTRIES THROUGHOUT THE WORLD. ALL RIGHTS RESERVED. COUNTRY OF FIRST PUBLICATION: UNITED STATES OF AMERICA. GEORGIA FILM FUND FIFTEEN, LLC AND UNIVERSAL STUDIOS ARE THE AUTHORS OF THIS MOTION PICTURE FOR PURPOSES OF COPYRIGHT AND OTHER LAWS. ANY UNAUTHORIZED EXHIBITION, DISTRIBUTION OR COPYING OF THIS FILM OR ANY PART THEREOF (INCLUDING SOUNDTRACK) IS AN INFRINGEMENT OF THE RELEVANT COPYRIGHT AND WILL SUBJECT THE INFRINGER TO SEVERE CIVIL AND CRIMINAL PENALTIES. THE STORY, ALL NAMES, CHARACTERS AND INCIDENTS PORTRAYED IN THIS PRODUCTION ARE FICTITIOUS. NO IDENTIFICATION WITH ACTUAL PERSONS, PLACES, BUILDINGS AND Credits as of May 29, 2013 PRODUCTS IS INTENDED OR SHOULD BE INFERRED. – 16 – ABOUT THE CAST Two-time Academy Award ®-winning actor DENZEL WASHINGTON (Robert “Bobby” Trench) is a man constantly on the move. Never comfortable repeating himself or his successes, Washington always searches for new challenges through his numerous and varied film and stage portrayals. From embittered runaway slave Trip, in Glory, to South African freedom fighter Steve Biko, in Cry Freedom; from Shakespeare’s tragic historical figure Richard III to rogue detective Alonzo Harris, in Training Day, Washington has amazed and entertained audiences with a rich array of characters distinctly his own. Washington started off 2012 starring in Universal Pictures’ action-thriller Safe House, directed by Daniel Espinosa. The film opened to more than $40 million in its first weekend and was the second largest of Washington’s career. In his most recent role, Washington starred in Robert Zemeckis’ Flight, for Paramount Pictures. His performance in Flight brought him Academy Award®, Golden Globe and Screen Actors Guild nominations. In the spring of 2010, Washington made his return to Broadway where he appeared opposite Viola Davis in a 14-week run of August Wilson’s Fences. His powerful performance as Troy, a one-time baseball star turned sanitation worker who struggles to reconcile his past and present, earned him his first Tony Award, as well as a Tony Award for both the play and Davis. Also in 2010, Warner Bros. Pictures released Book of Eli, a postapocalyptic Western that tells the story of one man’s fight across America to protect a sacred book that contains the secrets to rescuing mankind. Prior to that, Washington appeared alongside John Travolta in Tony Scott’s remake of the 1974 film The Taking of Pelham 1 2 3, for Columbia Pictures. Pelham tells the dramatic story of a subway dispatcher (Washington) who receives a ransom call from a hijacker (Travolta) who has taken control of one of the trains. In late December 2007, Washington directed and co-starred with Academy Award®-winning actor Forest Whitaker in The Great Debaters, a drama based on the true story of Melvin B. Tolson—a professor at Wiley College in Texas who, in 1935, inspired students from the school’s debate team to challenge Harvard in the national championship. In November 2007, Washington starred alongside Russell Crowe in Ridley Scott’s American Gangster. The film grossed $43.6 million in its first weekend and earned Washington his largest opening weekend to date. In March 2006, Washington starred in Spike Lee’s Inside Man. The film, which co-starred Clive Owen and Jodie Foster, took in $29 million in its opening weekend. As 2006 came to an end, Washington thrilled audiences yet again in Touchstone Pictures’ Déjà Vu, which reteamed him with director Tony Scott. In this flashback romantic thriller, Washington plays an ATF agent who travels back in time to save a woman from being murdered, falling in love with her in the process. Washington returned to his theater roots in 2005, where he starred on Broadway as Marcus Brutus in Julius Caesar. The show was well received by critics and fans alike. In 2004, Washington collaborated with Tony Scott for Man on Fire, in which Washington plays an exmarine who has been hired to protect a young girl, played by Dakota Fanning, from kidnappers. That same year, Washington was seen in Jonathan Demme’s The Manchurian Candidate, a modern-day remake of the 1962 classic film for Paramount Pictures, which co-starred Meryl Streep and Liev Schreiber. In the film, Washington starred in the role made famous by Frank Sinatra. – 30 – In 2003, Washington was seen in MGM’s murdermystery thriller Out of Time, which was directed by Carl Franklin and co-starred Eva Mendes and Sanaa Lathan. He played a Florida police chief who must solve a double homicide before he falls under suspicion for the murders himself. December 2002 marked Washington’s feature film directorial debut with Antwone Fisher. The film, based on a true-life story and inspired by the best-selling autobiography, “Finding Fish,” follows Fisher, a troubled young sailor played by Derek Luke, as he comes to terms with his past. The film won critical praise, was awarded the Stanley Kramer Award from the Producers Guild of America and won NAACP Image Awards for Outstanding Motion Picture and Outstanding Supporting Actor. Also in 2002, Washington was seen in John Q, a story about a down-on-his-luck father whose son is in need of a heart transplant. The film established an openingday record for Presidents’ Day weekend, grossing $24.1 million. The film garnered Washington an NAACP Image Award for Outstanding Actor in a Motion Picture. One of Washington’s most critically acclaimed performances to date was his Academy Award®winning performance in Antoine Fuqua’s Training Day. The story revolves around a grizzled LAPD veteran (Washington), who shows a rookie narcotics cop (Ethan Hawke), the ropes on his first day of the soul-city beat. The film was only one of two in 2001 that spent two weeks at the No. 1 spot at the box-office. In September 2000, Washington starred in Jerry Bruckheimer’s box-office sensation Remember the Titans, which took in $115 million at the domestic box-office. Earlier that year, he starred in Universal Pictures’ The Hurricane, reteaming with director Norman Jewison. Washington received a Golden Globe Award for Best Performance by an Actor in a Motion Picture–Drama and his fourth Academy Award® nomination for his performance. In November 1999, Washington starred in Universal Pictures’ The Bone Collector, the adaptation of Jeffery Deaver’s novel about the search for a serial killer, which co-starred Angelina Jolie and was directed by Phillip Noyce. In 1998, Washington starred in the Warner Bros. Pictures crime thriller Fallen for director Greg Hoblit, and in Spike Lee’s He Got Game, for Touchstone. He reteamed with director Ed Zwick in the 20th Century Fox terrorist thriller The Siege, which co-starred Annette Bening and Bruce Willis. In the summer of 1996, Washington starred in the critically acclaimed military drama Courage Under Fire, for Glory director Edward Zwick. Later that year, he starred opposite Whitney Houston in Penny Marshall’s romantic comedy The Preacher’s Wife. In 1995, Washington starred opposite Gene Hackman as Navy Lt. Cmdr. Ron Hunter in Tony Scott’s underwater action-adventure Crimson Tide; as Parker Barnes, an ex-cop released from prison to track down a computer-generated criminal, in the futuristic thriller Virtuosity; and as World War II veteran Ezekiel “Easy” Rawlins, in the 1940s romantic thriller Devil in a Blue Dress, which Washington’s Mundy Lane Entertainment produced with Jonathan Demme’s Clinica Estetico. Another critically acclaimed performance was his portrayal of Malcolm X in director Spike Lee’s biographical epic, Malcolm X. For his portrayal, Washington received a number of accolades, including an Academy Award® nomination for Best Actor. In addition to his accomplishments on screen, Washington took on very different types of roles in 2000. He produced the HBO documentary Half Past Autumn: The Life and Works of Gordon Parks, which was subsequently nominated for two Primetime Emmy Awards. He served as executive producer on Hank Aaron: Chasing the Dream, a biographical documentary for TBS, which was nominated for a Primetime Emmy Award. Additionally, Washington’s narration of the legend of John Henry was nominated – 31 – for a 1996 Grammy Award in the category of Best Spoken Word Album for Children, and he was awarded the 1996 NAACP Image Award for his performance in the animated children’s special Happily Ever After: Fairy Tales for Every Child. A native of Mt. Vernon, New York, Washington had his career sights set on medicine when he attended Fordham University. During a stint as a summer camp counselor, he appeared in one of their theater productions. Washington was bitten by the acting bug and returned to Fordham that year seeking the tutelage of Robinson Stone, one of the school’s leading professors. Upon graduation from Fordham, Washington was accepted into San Francisco’s prestigious American Conservatory Theater. Following an intensive year of study in their theater program, he returned to New York after a brief stop in Los Angeles. Washington’s professional New York theater career began with Joseph Papp’s Shakespeare in the Park and was quickly followed by numerous off-Broadway productions, including Ceremonies in Dark Old Men; When the Chickens Came Home to Roost, in which he portrayed Malcolm X; One Tiger to a Hill; Man and Superman; Othello; and A Soldier’s Play, for which he won an Obie Award. Washington’s more recent stage appearances include the Broadway production of Checkmates and Richard III, which was produced as part of the 1990 Free Shakespeare in the Park series hosted by Joseph Papp’s Public Theater in New York City. In 1979, Washington was “discovered” by Hollywood when he was cast in the television film Flesh & Blood. But it was Washington’s award-winning performance on stage in A Soldier’s Play that captured the attention of the producers of the NBC television series St. Elsewhere, and he was soon cast in that long-running hit series as Dr. Philip Chandler. His other television credits include The George McKenna Story, License to Kill and Wilma. In 1982, Washington recreated his role from A Soldier’s Play for Norman Jewison’s film version. Retitled A Soldier’s Story, Washington’s portrayal of Pfc. Peterson was critically well-received. Washington went on to star in Sidney Lumet’s Power; Richard Attenborough’s Cry Freedom, for which he received his first Academy Award® nomination; For Queen and Country; The Mighty Quinn; Heart Condition ; Glory, for which he won the Academy Award® for Best Supporting Actor; and Spike Lee’s Mo’ Better Blues. Washington also starred in the action-adventure film, Ricochet, and in Mira Nair’s bittersweet comedy Mississippi Masala. Additional film credits include Kenneth Branagh’s film adaptation of Much Ado About Nothing; Jonathan Demme’s controversial Philadelphia , with Tom Hanks; and The Pelican Brief, based on the John Grisham novel. MARK WAHLBERG (Michael “Stig” Stigman) earned both Academy Award® and Golden Globe nominations for his standout work in the family boxing biopic The Fighter and Martin Scorsese’s acclaimed drama The Departed . Wahlberg has enjoyed playing diverse characters for visionary filmmakers such as David O. Russell, Tim Burton and Paul Thomas Anderson. His breakout role in Boogie Nights established Wahlberg as one of Hollywood’s most sought-after talents. Wahlberg’s remarkable film career began with Renaissance Man, directed by Penny Marshall, and The Basketball Diaries, with Leonardo DiCaprio, followed by a star turn opposite Reese Witherspoon in the thriller Fear . He later headlined Three Kings and The Perfect Storm, with George Clooney, and The Italian Job, with Charlize Theron. Wahlberg then starred in the football biopic Invincible, with Greg Kinnear, and Shooter, based on the best-selling novel “Point of Impact.” He reunited with The Yards director James Gray and co- – 32 – star Joaquin Phoenix in We Own the Night, which he also produced. Other projects include The Happening, Max Payne, The Lovely Bones, Date Night and The Other Guys. He most recently starred in Allen Hughes’ Broken City, with Russell Crowe and Catherine ZetaJones; Seth MacFarlane’s Ted; Baltasar Kormákur’s Contraband, with Kate Beckinsale; and Michael Bay’s Pain & Gain, with Dwayne Johnson. Next, Wahlberg can be seen in Peter Berg’s Lone Survivor. Also an accomplished film and television producer, Wahlberg has received a Peabody Award, two Oscar® nominations, two Golden Globe nominations and five Primetime Emmy nominations. In addition to Broken City, Contraband, The Fighter and We Own the Night, Wahlberg is executive producer of the HBO series Boardwalk Empire. He also executive produced HBO’s Entourage, In Treatment and How to Make It in America. A committed philanthropist, Wahlberg founded The Mark Wahlberg Youth Foundation in 2001 to benefit inner-city children and teens. PAULA PATTON (Deb Rees) emerged as an unforgettable talent with her leading roles in Tony Scott’s Déjà Vu, where she starred opposite Academy Award®winning actor and 2 Guns co-star Denzel Washington, and Bryan Barber’s original musical Idlewild. However, it was Patton’s memorable performance as the com­ passionate Ms. Rain in the critically acclaimed drama Precious that quickly made her a household name. Patton’s body of work is proof that she is one of today’s most gifted actresses. Patton was last seen in the fourth installment of the popular Mission Impossible franchise, Mission: Impossible—Ghost Protocol, where she starred alongside Tom Cruise and Jeremy Renner. The film grossed more than $693 million worldwide. She recently starred in the independent drama Disconnect, which was directed by Henry Alex Rubin and costarred Alexander Skarsgård and Jason Bateman. Patton will soon be seen in David E. Talbert’s comedy Baggage Claim, with Taye Diggs, where she plays flight attendant Montana Moore who, in pledging to keep herself from being the oldest daughter and the only woman in her entire family never to wed, embarks on a 30-day, 30,000-mile expedition to charm a potential suitor into becoming her fiancé. In May 2011, Patton co-starred in the weddingthemed comedy Jumping the Broom, opposite Angela Bassett, Laz Alonso and Loretta Devine. Patton received a 2012 NAACP Image Award nomination for Outstanding Actress in a Motion Picture for her role in the film. Patton also appeared opposite Queen Latifah and Common in Just Wright. Patton starred in the critically acclaimed and award-winning film Precious, directed by Lee Daniels. The film premiered at the 2009 Sundance Film Festival where it won both the Grand Jury Prize and the Audience Award. Additionally, it was shown at the Cannes Film Festival in Un Certain Regard. Precious is the story of Claireece Precious Jones, a young African-American girl who has endured unimaginable hardships in her life. Patton played the challenging role of Ms. Rain, a teacher who tries to make a difference in Claireece’s life and reveals to her the opportunity that still awaits her. The film garnered numerous award nominations including six Academy Award® nominations, a Golden Globe Award nomination for Best Motion Picture– Drama, a Screen Actors Guild Award nomination for Outstanding Performance by a Cast in a Motion Picture and a BAFTA Award nomination for Best Film. Patton was nominated for an NAACP Image Award for Outstanding Supporting Actress in a Motion Picture for her pivotal role in the film. In 2008, Patton appeared in the thriller Mirrors, opposite Kiefer Sutherland. That same year, audiences – 33 – saw Patton in the light-hearted political satire Swing Vote, alongside industry veterans Kevin Costner, Dennis Hopper and Kelsey Grammer. In August 2006, Patton starred in Idlewild, alongside Outkast’s André Benjamin and Antwan A. Patton, Terrence Howard, Ving Rhames and Patti LaBelle. The musical, set in the Prohibition-era American South, was directed by Bryan Barber and produced by Charles Roven. Patton played a diva from St. Louis who travels to Idlewild and, with the help of Benjamin’s character as her piano man, the two develop a stage act as well as a love affair. Patton was previously seen in the romantic comedy Hitch, in which she co-starred opposite Will Smith, Eva Mendes and Kevin James. Patton grew up in Los Angeles, attending the Hamilton High School for the Performing Arts. She always had a passion for acting and filmmaking. Upon graduating from high school, Patton was chosen as one of four young filmmakers for a PBS documentary series titled The Ride, which followed the four filmmakers as they directed their own documentary films about young people across America. After spending her freshman year of college at UC Berkeley, with an increasing passion for filmmaking, Patton transferred to the prestigious USC Film School, where she graduated magna cum laude. Upon graduation, she began doing various production assistant work and eventually worked her way up to shooting and producing a show titled Medical Diaries, for the Discovery Channel. When the show was completed, Patton realized her love of acting and immediately enrolled in acting classes. After a year of studying, she decided to pursue a career in professional acting. Patton currently resides in Los Angeles. BILL PAXTON (Earl) was last seen in the History Channel miniseries Hatfields & McCoys, opposite Kevin Costner. The show set a ratings record as the toprated entertainment telecast ever for ad-supported basic cable. He was nominated for a Primetime Emmy Award and a SAG Award for his work as Randall McCoy. His upcoming films include Doug Liman’s All You Need Is Kill, opposite Tom Cruise, and Jeff Renfroe’s The Colony, starring Laurence Fishburne. Paxton was honored with three Golden Globe nominations for his work on HBO’s critically acclaimed series Big Love, where he played Bill Henrickson, a loving father and a husband to three wives, played by Jeanne Tripplehorn, Chloë Sevigny and Ginnifer Goodwin. After gaining critical attention in John Hughes’ comedy Weird Science and James Cameron’s scifi Aliens, Paxton’s performance as the small-town sheriff in Carl Franklin’s One False Move marked his emergence as a leading man. He went on to star in a host of blockbusters, including Tombstone, True Lies, Apollo 13, Twister, Mighty Joe Young, Titanic, U-571 and Vertical Limit. In 1998, Roger Ebert cited Paxton as his Best Actor choice for his turn as Hank Mitchell in Sam Raimi’s A Simple Plan. In addition, Paxton received a Golden Globe nomination that same year for his performance as Lt. Colonel John Paul Vann in HBO’s A Bright Shining Lie. Paxton segued from being on camera to directing feature films. In 2001, Paxton made his directorial debut with the gothic thriller Frailty, in which he also starred alongside Matthew McConaughey. In 2005, he directed the sports drama The Greatest Game Ever Played, which starred Shia LaBeouf. Both films – 34 – are considered modern classics of their respective genres. In 2002, Frailty received special recognition from the National Board of Review for excellence in filmmaking. Additionally, Paxton served as a producer on the features The Good Life and Traveller, in which he starred along with Mark Wahlberg and Julianna Margulies. Paxton began his career as a set dresser on producer Roger Corman’s Big Bad Mama in the mid-’70s. After working in the art department on several features, Paxton moved to New York to study acting with Stella Adler. Returning to Los Angeles in 1980, he met James Cameron while moonlighting as a set dresser on the low-budget sci-fi movie Galaxy of Terror. Subsequently, Paxton landed acting jobs in movies such as Mortuary and Night Warning. He earned a cult following for his work in movies such as Near Dark, Boxing Helena, The Dark Backward and Broken Lizard’s Club Dread. His other credits include Trespass, Indian Summer, The Evening Star, Streets of Fire, Frank & Jesse, Navy Seals, Predator 2, The Vagrant, Pass the Ammo and Steven Soderbergh’s Haywire. In addition to his awards for acting and directing, Paxton holds the distinction as the only actor to have visited the wreck site of the Titanic with Cameron for the documentary Ghosts of the Abyss. Paxton completed four descents to the site, 2.5 miles below the surface of the North Atlantic. A native of Fort Worth, Texas, Paxton resides with his wife and children in California. Having appeared in a wide range of films over the course of his career, JA M E S M A R S D E N (Quince) continues to carve out a dis­tinctive place in Hollywood. Marsden will next be seen in Lee Daniels’ The Butler, in which he portrays the iconic John F. Kennedy. The Weinstein Company film is set to be released on August 16. This fall, Marsden will star opposite Elizabeth Banks in FilmDistrict’s comedy Walk of Shame, to be released on September 20. Finishing off a busy year, Marsden will also appear in Paramount Pictures’ highly anticipated Anchorman: The Legend Continues alongside, Will Ferrell, Paul Rudd and Steve Carell, which will hit theaters on December 20. Most recently, Marsden was seen in Jack Schreier’s critically acclaimed Robot & Frank, opposite Frank Langella, Liv Tyler and Susan Sarandon. He also starred in Leslye Headland’s hit comedy Bachelorette, opposite Kirsten Dunst, Isla Fisher and Adam Scott. The film, which was released on iTunes and Video on Demand prior to its theatrical release, quickly climbed to No. 1 on iTunes. In 2011, Marsden appeared in Sony Screen Gems’ remake of Straw Dogs for director Rod Lurie, opposite Kate Bosworth. He was also seen in Universal Pictures and Illumination Entertainment’s box-office hit Hop, in which he played the lead role opposite Russell Brand. The film grossed more than $180 million worldwide. That same year, Marsden was honored with the Spotlight Award at the Savannah Film Festival alongside fellow honorees Oliver Stone, Lily Tomlin and Ellen Barkin. Other film credits include the box-office smash Enchanted; 27 Dresses, opposite Katherine Heigl; X-Men, X2 and X-Men: The Last Stand, in which he starred as Scott Summers/Cyclops; Adam Shankman’s – 35 – musical Hairspray; Nick Cassavetes’ romantic drama The Notebook; Superman Returns, opposite Bosworth; the comedy Death at a Funeral; the romantic comedy Sex Drive; The Box, opposite Cameron Diaz; Disturbing Behavior, alongside Katie Holmes; the crime drama 10th & Wolf; and Sugar & Spice. Beyond film, Marsden appeared in NBC’s hit comedy series 30 Rock, for a multi-episode arc as Tina Fey’s love interest. Marsden currently resides in Los Angeles. Known for giving consistently well-wrought, realistic performances, FRED WARD (Admiral Tuwey) became an actor after a three-year Air Force stint and time spent studying at New York’s Herbert Berghof Studio and in Rome. In Italy, he dubbed Italian movies and worked as a mime until he made his acting debut in a Roberto Rossellini film. Upon returning to the U.S. in the early ’70s, Ward spent time working in experimental theater with Sam Shepard. His first major film role came in the 1979 film Escape From Alcatraz, in which Ward played fellow escapee John Anglin, alongside Clint Eastwood. For Ward, 1983 was a very good year as he played key roles in three major films: Uncommon Valor, as an anguished Vietnam vet-turned-sculptor; Silkwood, as a brave union activist; and, in a scenestealing performance, as Virgil “Gus” Grissom in Philip Kaufman’s The Right Stuff. In 1985, Ward starred in Remo Williams: The Adventure Begins, a James Bondlike spy thriller. Notable performances include Ward’s role as Sgt. Hoke Moseley, a beaten-down, humiliated cop in 1990’s Miami Blues, which he co-produced; a fascinating portrayal of author Henry Miller in 1990’s Henry & June; and as Walter Stuckel, the studio security chief, in 1992’s The Player. Ward co-starred with Kevin Bacon in the 1990 comedy Tremors; in Tim Robbins’ 1992 satire Bob Roberts; in 1994’s The Naked Gun 33 1/3: The Final Insult; and in the 1996 Keanu Reeves thriller Chain Reaction. Increasingly busy into the new millennium, Ward continued to move effortlessly between television and film roles, displaying his sense of humor in 2001’s Joe Dirt and Corky Romano, as well as his penchant for action in The Chaos Factor and Full Disclosure. He worked continuously in projects such as Enough, Sweet Home Alabama and the Bob Dylan vehicle Masked and Anonymous, and appeared briefly on the hit television series Grey’s Anatomy. In 2010 and 2011, Ward was part of the cast of Showtime’s United States of Tara and the comedy 30 Minutes or Less, with Jesse Eisenberg. EDWARD JAMES OLMOS (Papi Greco) has achieved extraordinary suc­ cess as an actor, producer and humanitarian. The Tony-, Primetime Emmy- and Academy Award®-nominated actor is probably best known to young audiences for his work as Admiral William Adama on the Syfy television series Battlestar Galactica. Although the series kept the actor busy during its run in 2003-2009, it didn’t stop him from directing the HBO movie Walkout in 2006, for which he earned a DGA Award nomination in the Outstanding Directorial Achievement in Movies for Television and Mini-Series category. Olmos’ career in entertainment spans more than 30 years. In that time, he has created a signature style and aesthetic that he applies to every artistic endeavor, often grounding his characters in reality and gravitas. His dedication to his craft has brought him attention from the industry and audiences worldwide. Originally a musician, Olmos branched out into acting, appearing in many small theater productions – 36 – until he portrayed the iconic El Pachuco in Zoot Suit. The play moved to Broadway and Olmos earned a Tony nomination for the role, which he reprised in the 1981 film version. Olmos went on to appear in the films Wolfen, Blade Runner and American Playhouse’s The Ballad of Gregorio Cortez, before starring in his biggest role to date: Lieutenant Martin Castillo in the iconic ’80s television series Miami Vice, opposite Don Johnson and Philip Michael Thomas. During his time on the Michael Mann series, Olmos earned two Golden Globe and Primetime Emmy Award nominations, resulting in a win from each. In 1988, Olmos was nominated for an Academy Award® and won a Golden Globe for his portrayal of teacher Jaime Escalante in Stand and Deliver. He directed and starred in his film directorial debut, American Me, in 1992. Olmos’ passion for the arts grows every year, and he never forgets to give back to the communities that support him. He is an international advocate, spokesman and humanitarian working with organizations such as Thank You Ocean, Project Hope Foundation, Children’s Hospital Los Angeles, Boys & Girls Clubs of America, Riverkeeper and the Diabetic Foot Global Conference. Olmos speaks at schools, universities and corporations up to 150 times a year. Olmos’ other acting credits include the motion pictures My Family; Selena, opposite Jennifer Lopez; and In the Time of Butterflies, in which he played Dominican Republic dictator Rafael Leonidas Trujillo. On television, he enjoyed a recurring role as U.S. Supreme Court Justice Roberto Mendoza in the NBC drama The West Wing; portrayed a widowed father in the PBS drama American Family: Journey of Dreams; and directed the YouTube phenomenon “The Short Film BP Doesn’t Want You to See,” featured on CNN’s Larry King Live. ABOUT THE FILMMAKERS BALTASAR KORMÁKUR (Directed by) is an actor, producer and director whose work spans theater, movies and television. Born in Reykjavik, Iceland, Kormákur graduated as an actor from the Iceland Academy of the Arts in 1990. He immediately signed on with the National Theatre of Iceland, where he worked as one of the leading young performing artists until 1997. During the last two years of his assignment, Kormákur also directed several ambitious works, after producing and directing highly popular independent stage productions alongside his acting projects with the National Theatre. In 2000, Kormákur wrote, directed, acted in and produced the feature film 101 Reykjavík, which became an international hit and earned the Discovery Award at the Toronto International Film Festival. Subsequently, Variety selected him as one of the 10 Directors to Watch, with Alejandro González Iñárritu, Lukas Moodysson and Christopher Nolan, among others. Soon after, Kormákur started Blueeyes Productions and, since then, has maintained his focus on writing, producing and directing feature films. His films The Sea, A Little Trip to Heaven, Jar City and Brúðguminn have all been very successful in Iceland and won numerous international awards. Kormákur’s The Deep, which eerily captures the tragic real-life story of the lone survivor of a capsized fishing boat off the frigid Icelandic coast, premiered at the 2012 Toronto International Film Festival. The film went on to become Iceland’s Official Oscar® entry for the foreign language category. It opened in Iceland on – 37 – September 21, 2012, and took in more than 50% of the country’s box-office receipts that weekend. Since 2008, Kormákur has directed two other feature films in the U.S. Inhale, an independent film produced by the Los Angeles-based 26 Films that starred Dermot Mulroney, Diane Kruger and Sam Shepard, was released in October 2010. Universal Pictures and Working Title Films’ Contraband, which starred Mark Wahlberg, Ben Foster, and Kate Beckinsale, took first place at the U.S. box office during its opening weekend in January 2012. Contraband was a remake of Óskar Jónasson’s Reykjavik-Rotterdam, written by Arnaldur Indridason. Kormákur played the leading role and produced with Agnes Johansen through Blueeyes Productions. Kormákur’s next projects include the HBO pilot The Missionary, a spy thriller he directed, to be produced by Wahlberg, Steve Levinson and Malcolm Gladwell; and Everest, a cautionary tale about the 1996 disaster on the mountain that killed eight climbers over two days amid horrific mishaps and bad decisions. Working Title Films will produce Everest with Kormákur. His other upcoming projects are Viking, a big-budget actionadventure set in the world of the famed Norse warriors, which will film in Iceland; the American remake of Jar City, which Kormákur will produce along with the CEO of Lava Bear Films, David Linde; and Dagur Kári’s Icelandic drama Rocketman, which Kormákur will produce. Recently, Kormákur optioned Iceland’s beloved Nobel Prize-winning book “Independent People” to develop as a feature film. Kormákur partnered with CCP Games, the world’s leading independent developer of massive multiplayer games, to bring the EVE Online game to television. The new series will take its inspiration from the millions of people who have left their mark on the EVE universe via stories submitted to the Web site truestories.eveonline.com. The RVK Studios team, in collaboration with CCP, will create an original concept and storyline set in the EVE universe, a future history of rival societies trapped beyond a wormhole in a dystopian sci-fi world. All of Kormákur’s films are made under his Blueeyes Productions, which recently opened a television arm and partnered with Dadi Einarsson and the Icelandic team at the visual effects company Framestore. BLAKE MASTERS (Screenplay by) was raised in New York City and Mill River, Massachusetts. During college, Masters landed his first job in the film industry, working as a grip for low-budget maestro Roger Corman on such genre fare as Body Chemistry II: Voice of a Stranger and The Liars’ Club. Later, Masters borrowed lighting equipment from Corman’s studio and shot a short film that opened the door for an internship at Sam Raimi’s production company, Renaissance Pictures. While working there, he wrote a script that was optioned by Warner Bros. Pictures. That script, in turn, allowed him to become a full-time writer. Some years later, Masters pitched a nascent film idea to a producer who suggested that it might make a good television show instead. That idea became Brotherhood, a critically lauded drama about two Providence, Rhode Island brothers, one a local politician, the other a local gangster. Brotherhood ran for three seasons on Showtime and won the network its first Peabody Award for drama. After Brotherhood, Dick Wolf tapped Masters to write the pilot for Law & Order: Los Angeles, which ran for one season on NBC. Currently, Masters is working on Line of Sight at AMC and has multiple projects in active development at Showtime. A fixture in the world of comics since the late ’70s, STEVEN GRANT (Based on the BOOM! Studios Graphic Novels by) has written for Marvel, DC Comics, First Comics, Dark Horse Comics and Wildstorm. Grant is perhaps best known for his seminal collaborations with Mike Zeck on “The Punisher,” which transformed the superhero genre and generated numerous imitators. – 38 – Grant has written film and television reviews, short stories and teen novels. In addition, he wrote two longrunning Web columns, “Master of the Obvious” and “Permanent Damage,” at www.comicbookresources. com, in which he covered comics, culture, politics and writing. Grant is the creator of several crime comics, including “Whisper” and “Badlands,” and is currently working on the sequel to 2 Guns, as well as several other series and film projects. MARC PLATT (Produced by) stands among the few producers who have successfully bridged the worlds of theater, film and television. His projects have garnered eight Oscar® nominations, 16 Tony nominations, 13 Golden Globe nominations and 19 Primetime Emmy nominations. Platt’s most recent film was Drive, which starred Ryan Gosling and its director, Nicolas Winding Refn, was awarded the Best Director prize at the 64th Annual Cannes International Film Festival in 2011. Among the other films Platt has produced are Scott Pilgrim vs. the World, directed by Edgar Wright; the smash hits Legally Blonde and its sequel, Legally Blonde 2: Red, White & Blonde, which starred Reese Witherspoon; the critically acclaimed Rachel Getting Married, which was directed by Oscar ®-winner Jonathan Demme and starred Anne Hathaway; the 2008 summer hit Wanted, which starred Angelina Jolie, James McAvoy and Morgan Freeman; the musical Nine, which was directed by Rob Marshall and starred Daniel Day-Lewis; Cop Out, which starred Bruce Willis and Tracy Morgan; Charlie St. Cloud, which starred Zac Efron; The Other Woman, which starred Natalie Portman; Honey; Josie and the Pussycats; and The Perfect Man. Platt’s upcoming films are Winter’s Tale, starring Colin Farrell and Russell Crowe, and written and directed by Academy Award® winner Akiva Goldsman; Ryan Gosling’s directorial debut, How to Catch a Monster, starring Christina Hendricks; Rob Marshall’s Into The Woods, starring Meryl Streep and Johnny Depp; and Song One, starring Anne Hathaway. Platt is the producer of Broadway’s blockbuster Wicked, which The New York Times called “the defining musical of the decade.” The musical has four companies now playing worldwide including Broadway, London and two North American tours, with three additional companies opening internationally later this year. He also produced the Broadway debut of Three Days of Rain, which starred Julia Roberts, Paul Rudd and Bradley Cooper; Matthew Bourne’s musical theater adaptation of Edward Scissorhands, which won two Drama Desk Awards; and the 2008 Broadway revival of Pal Joey, which starred Stockard Channing. In television, Platt executive produced HBO’s Empire Falls, which won the Golden Globe Award for Best Miniseries. He also executive produced Once Upon a Mattress for ABC; the Primetime Emmy Award-winning miniseries The Path to 9/11, also for ABC; and the MTV hit series Taking the Stage. Prior to establishing his company, Marc Platt Productions, he served as president of production for three movie studios (Orion, TriStar and Universal Pictures). Platt is a member of the Academy of Motion Picture Arts & Sciences, the Academy of Television Arts & Sciences and The Broadway League. As one of the entertainment industry’s most prolific film producers, RANDALL EMMETT (Produced by) has produced more than 50 feature films since his start as Mark Wahlberg’s assistant in the 1990s. Combining financial acumen with an incisive creative sensibility, Emmett is partner and co-founder alongside George Furla of Emmett/Furla Films, a production company dedicated to the development, financing and production of top-tier filmed entertainment for the theatrical marketplace with its own equity fund. He is also founder and partner of Curtis “50 Cent” Jackson’s production company, Cheetah Vision Films. – 39 – In the past decade, Emmett’s ability to package films with well-known actors and filmmakers has resulted in major box-office success—netting more than $250 million dollars at the U.S. box-office alone. Additionally, he has forged strong partnerships with major Hollywood studios to finance and distribute commercial films to audiences both domestically and internationally. Aside from high-concept films, Emmett has produced smaller, critically acclaimed indie fare such as Narc and Wonderland. These films, and others, have played at acclaimed film festivals worldwide, including Sundance, Toronto, Berlin, Venice and Telluride. Many have also been nominated for Independent Spirit Awards and Golden Globe Awards. In the past year, Emmett finished shooting Peter Berg’s Lone Survivor, starring Mark Wahlberg, Taylor Kitsch and Emile Hirsch; Empire State, which was written by Adam Mazer, directed by Dito Montiel, and starred Liam Hemsworth, Dwayne Johnson and Emma Roberts; The Tomb, written by Miles Chapman, directed by Mikael Håfström and starring Arnold Schwarzenegger and Sylvester Stallone; and The Frozen Ground, written and directed by Scott Walker, starring Nicolas Cage, John Cusack, Vanessa Hudgens and 50 Cent. Most recently, Emmett signed on to finance and produce Martin Scorsese’s highly anticipated Silence; as well as Expiration, starring Bruce Willis. Other projects he is set to finance and produce include Everest for Universal Pictures and Working Title, and The Last Witch Hunter for Summit Entertainment and Lionsgate, starring Vin Diesel. Emmett/Furla’s recently released films include End of Watch, written and directed by David Ayer, which starred Jake Gyllenhaal and Michael Peña; Lay the Favorite, directed by two-time Oscar®-nominated Stephen Frears, which starred Bruce Willis, Catherine Zeta-Jones, Rebecca Hall and Vince Vaughn; and Freelancers, which starred Robert DeNiro, 50 Cent and Forest Whitaker. Emmett/Furla’s past films include Bad Lieutenant: Port of Call New Orleans, Righteous Kill, 88 Minutes, King of California, 16 Blocks and The Contract. Born and raised in Miami, Emmett graduated from the respected performing arts high school New World School of Arts. As an undergraduate, he attended the prestigious School of Visual Arts in New York City. Presently, he speaks at various industry conferences and mentors up-and-coming filmmakers at UCLA’s school of continuing education. Emmett lives in Los Angeles with his family. NORTON HERRICK (Produced by) is chairman and CEO of The Herrick Company, Inc., one of the nation’s most successful real estate investment firms. Several years ago, the company formed Herrick Entertainment and began its foray into the financing and production of major motion pictures with My One and Only, which starred Renée Zellweger and Kevin Bacon. Herrick Entertainment’s coming-of-age film, Very Good Girls, was written and directed by Naomi Foner. The film starred Dakota Fanning, Elizabeth Olsen and Demi Moore, and premiered at the 2013 Sundance Film Festival. Herrick Entertainment is currently in postproduction on the action-thriller Lone Survivor, starring Mark Wahlberg and set for a December 27 limited release, as well as the horror-thriller Nightlight. Other films Herrick produced include Lee Tamahori’s The Devil’s Double, which featured Dominic Cooper’s chilling interpretation of Saddam Hussein’s son and his body double; Vanishing on 7th Street, which starred Hayden Christensen; Madison, which starred Jim Caviezel; and The Moth Diaries, directed by Mary Harron. Herrick was the producer of the Las Vegas stage show Hairspray, which was performed at the Luxor hotel; and the theater adaption of J.R.R. Tolkien’s “The Lord of the Rings.” Herrick produced the Broadway revivals of Exit the King, which starred Geoffrey Rush and Susan Sarandon; Eugene O’Neill’s Desire Under – 40 – the Elms, which starred Brian Dennehy and Carla Gugino; American Buffalo; Promises, Promises, which starred Kristin Chenoweth and Sean Hayes; Hair; and Pippin. Herrick won Tony Awards for each show for Best Revival of a Musical. Herrick produced Dolly Parton’s 9 to 5: The Musical; Bloody Bloody Andrew Jackson; and the currently running Spider-Man: Turn Off the Dark. He is an investor in the Broadway revival and touring show of West Side Story. Announced in early 2013, HerrickTV will develop, produce and deficit finance both scripted and unscripted programming, including adaptions of inter­ national formats. With offices in Boca Raton, Florida; Cedar Knolls, New Jersey; New Hampshire and Norwalk, Connecticut, The Herrick Company, under Herrick’s direction, has become a major force in the real estate marketplace over the last 35 years with income property transactions totaling more than $5 billion. Throughout the 1980s and 1990s, Herrick managed, purchased and sold hundreds of apartment complexes throughout the eastern United States. Today, he is considered a foremost authority on net lease real estate transacting and financing, as well as the construction, structuring and financing of net lease and sale-leaseback transactions that include hospitals and power plants. An affiliate of The Herrick Company has been involved with the financing, construction and ownership of the world’s largest, and the first in the United States, electric producing power plants, which utilize biomass (turkey manure) to generate electricity. The Herrick Company has been involved in transactions involving plants and manufacturing facilities that produce ethanol and utilize biomass for building materials. He has earned the reputation as one of the fastest builders, acquisition decision makers and closers in the country. Another affiliate of The Herrick Company has investments in thoroughbred horse racing, which reached new heights in 2011 when Animal Kingdom, trained by Graham Motion, won the Kentucky Derby and won $10 million at the 2013 Dubai World Cup. Herrick is a longtime supporter of progressive and humanitarian causes. He has served on the board of directors of the People For the American Way, the advisory board of the Make-A-Wish Foundation and the advisory committee of the National Multi Housing Council. Herrick is the recipient, along with former President Ronald Reagan and Isaac Stern, of the Jerusalem 3000 Award, presented by Prime Minister Shimon Peres. He is the recipient of the President’s Medal from the University of Miami, which was presented by its president, Donna E. Shalala, and the Guardian Award from The Hebrew University of Jerusalem. ADAM SIEGEL (Produced by) currently serves as president of Marc Platt Productions in Los Angeles. Siegel previously produced Nicolas Winding Refn’s Drive, which starred Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks and Christina Hendricks. The film earned Best Film nominations at the 2012 BAFTA Awards and Film Independent Spirit Awards, in addition to the Best Director prize at the 2011 Cannes Film Festival. Prior to Drive, Siegel executive produced films including Timur Bekmambetov’s Wanted, which starred Angelina Jolie, James McAvoy and Morgan Freeman, and Scott Pilgrim vs. the World, directed by Edgar Wright. Siegel is currently producing Ryan Gosling’s directorial debut, How to Catch a Monster. GEORGE FURLA (Produced by) began his career with Cantor Fitzgerald, after graduating from the University of Southern California with a degree in business administration. At Cantor Fitzgerald, Furla served as an equity trader from 1982 to1985. After his run with Cantor Fitzgerald, Furla worked in a similar capacity with Jones and Associates for three years. In 1988, he left Jones and Associates to run a hedge fund, that he established, specializing in risk arbitrage – 41 – and equity trading. Furla ran the hedge fund for 10 years, after which he jointly formed a film production company with his partner, Randall Emmett. At Emmett/Furla Films, Furla utilizes his hedge fund approach to model out film-financing scenarios. Furla and Emmett share responsibility in both concept development and arrangement of the financing of the films. Emmett/Furla Films has produced a large number of films, including End of Watch, Broken City, Lone Survivor, Rambo, Conan the Barbarian and 16 Blocks. ROSS RICHIE (Produced by) founded the comic book and graphic novel publisher BOOM! Studios in 2005, out of a spare bedroom in his apartment. Since then, BOOM! has become an industry powerhouse, twice winning Best Publisher from Diamond Comic Distributors’ prestigious Gem Awards, as well as numerous Eisner and Harvey awards. BOOM! series have been translated into 30 different languages. Richie is currently producing, with Arnold Rifkin (Live Free or Die Hard), the feature film Jeremiah Harm, based on the BOOM! graphic novel he co-created. The fillm will be directed by Timo Vuorensola (Iron Sky). BOOM! publishes an array of original and licensed properties, with more than 20 different original series sold to film and television. BOOM! works with some of the most recognizable brands in the world, including Charles Schulz’s “Peanuts” and Jim Davis’ “Garfield,” along with some of the greatest names in fantasy literature—from Clive Barker to Philip K. Dick and Michael Moorcock. BOOM! currently publishes work with 20th Century Fox Television and Cartoon Network. A prolific screenwriter, producer and comic book creator, ANDREW COSBY’s (Produced by) career was jump-started in 2001 with his first television series, Haunted. This was soon followed by Syfy’s Eureka, which just ended its five-year run with a recordbreaking season. In 2005, Cosby created his first comic book, “Damn Nation,” which was immediately set up at Paramount Pictures with Cosby attached to write and produce. Since then, he’s been involved in numerous other feature film projects for 20th Century Fox, Walt Disney Studios Pictures, Universal Pictures, Paramount Pictures, Warner Bros. Pictures, New Regency Enterprises, Spyglass Entertainment, Phoenix Pictures, Weed Road Pictures, The Canton Company, The Jim Henson Company and Casey Silver Productions. In 2005, Cosby co-founded the award-winning BOOM! Studios, which has since gone on to become the seventh largest comic book publisher. Cosby is currently producing BOOM! Studios’ first forays into film, television and animation. In 2010, he helped launch Big Air Studios, an innovative motion picture production, distribution and acquisition company focused on providing genre-targeted, highquality entertainment at lower budgets. Currently, Cosby is launching a number of new series and film projects, as well as preparing for his feature directorial debut. OLIVER WOOD’s (Director of Photography) recent projects include Universal Pictures’ action-thriller Safe House, which starred Denzel Washington and Ryan Reynolds, and Adam McKay’s cop comedy The Other Guys, which starred Will Ferrell and Mark Wahlberg. Prior to that, he served as director of photography on director Jonathan Mostow’s Surrogates. He just completed production on McKay’s much-anticipated Anchorman: The Legend Continues. Wood’s other collaborations with McKay include Step Brothers and Talladega Nights: The Ballad of Ricky Bobby. Born in England, Wood began his motion picture career as a camera assistant on British television series, commercials, documentaries and feature films. After moving up to cinematographer on a small 1967 English satire, Popdown, he relocated to the U.S. and entered the American film industry with the 1970 cult classic The Honeymoon Killers. He then made a – 42 – variety of small features such as Alphabet City, Don’t Go in the House and The White Slave. In addition to his early feature film credits, Wood’s camera work as director of photography, for three seasons, on Michael Mann’s innovative NBC television series Miami Vice helped define the groundbreaking show’s acclaimed visual style. Over the past two decades, Wood has compiled more than 30 motion picture credits, most recently earning a BAFTA nomination for his camera work on The Bourne Ultimatum. Wood also directed the photography on The Bourne Identity, for director Doug Liman, and The Bourne Supremacy, his first collaboration with filmmaker Paul Greengrass. Wood worked with director Renny Harlin on two projects (Die Hard 2: Die Harder and The Adventures of Ford Fairlane) and also counts among his big-screen credits such films as Rudy, 2 Days in the Valley, Bill & Ted’s Bogus Journey, Mr. Holland’s Opus, U-571, Face/Off, Switchback, Mighty Joe Young, I Spy, National Security, Fantastic Four and Scooby Doo 2: Monsters Unleashed. MICHAEL TRONICK, ACE (Edited by) was twice nominated for an ACE Eddie Award from the American Cinema Editors for his work on Adam Shankman’s Hairspray and Martin Brest’s Scent of a Woman. Tronick most recently served as editor on Mike McCoy and Scott Waugh’s Act of Valor, Garry Marshall’s New Year’s Eve, Michel Gondry’s The Green Hornet and the 3D feature documentary Jonas Brothers: The 3D Concert Experience. His film editing credits include Shankman’s Bedtime Stories, the highly successful Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, Mr. & Mrs. Smith, S.W.A.T., The Scorpion King, Remember the Titans, Blue Streak, Meet Joe Black, Volcano, Eraser, True Romance, Days of Thunder, Midnight Run, Less Than Zero and Beverly Hills Cop II. Tronick also served as an additional editor on the box-office smash Iron Man. Prior to his film editing career, Tronick was a successful film music editor, with notable credits including Marshall’s feature directorial debut, Young Doctors in Love, as well as Predator, Outrageous Fortune, Nobody’s Fool, Ruthless People, A Chorus Line, Streets of Fire, Star 80, 48 Hrs., Reds, Xanadu and All That Jazz, among others. Tronick is a member of the Board of Governors for the Academy of Motion Picture Arts and Sciences, representing the Film Editors Branch. BETH MICKLE (Production Designer) is a New York-based production designer. Mickle recently wrapped production on Ryan Gosling’s directorial debut, How to Catch a Monster. Her two films with director Nicolas Winding Refn, Drive and Only God Forgives, premiered in competition at the Cannes Film Festival. Drive was later released to critical acclaim. Warner Bros. Pictures will soon distribute Only God Forgives. Additionally, Mickle has had five films in competition at the Sundance Film Festival, including Cold Souls, in 2009, Sugar, in 2008, and Half Nelson, which starred Gosling and garnered him an Academy Award® nomination, in 2006. Next, she begins preproduction on Warner Bros. Pictures’ Focus, starring Will Smith. LAURA JEAN SHANNON’s (Costume Designer) most recent credits include Little Boy, a soon-to-bereleased period drama; Craig Brewer’s remake of Footloose; Edgar Wright’s Scott Pilgrim vs. the World; and Jon Favreau’s Iron Man. The latter earned Shannon a nomination for Excellence in Contemporary Film at the Costume Designers Guild Awards. Shannon’s work has a wide range. She began her career in New York City designing independent cult classics such as Darren Aronofsky’s Requiem for a Dream; Rose Troche’s The Safety of Objects; and Favreau’s Made. Over the years, she has had the pleasure of designing many genres including family favorites – 43 – such as Zathura and Elf, which afforded Shannon a spot on the prestigious costume exhibition “50 Designers/50 Costumes: Concept to Character,” curated by the Academy of Motion Picture Arts and Sciences. Shannon enjoys working all over the globe and calls a farm in central New York her home, which she shares with her family. CLINTON SHORTER (Music by) was recently hailed by The Hollywood Reporter as one of the “Young Composers to Watch,” and his original music for the blockbuster District 9 was described by film critic Kirk Honeycutt as a “magnificent score.” Shorter followed that success with his score to the Mark Wahlberg box-office hit Contraband. With nearly a dozen feature films to his credit, Shorter has also worked on more than 300 episodes of television, numerous commercials, as well as original music for the 2004 Summer Olympics in Athens. The award-winning Vancouver native developed a love for music at a young age. Shorter entered college as a music major, specializing in jazz studies, but left to pursue writing music with an experimental rock trio, only to return years later to study music composition and synthesis. Shorter’s first break came when he landed a job as an assistant to a prolific Canadian film and television composer. After several years of honing his skills, he left to pursue projects of his own. His first film, Come Together, turned out to be an indie hit and led to more work on the indie scene in Vancouver, including a short directed by Neill Blomkamp, Alive in Joburg, which was the catalyst for District 9. Academy Award®winning director Peter Jackson saw the short and came in as the producer of the feature. Jackson referred to Shorter’s music as a “brilliant score.” Shorter currently resides in Vancouver and Los Angeles. —2guns— – 44 –